Turkeys, Squirrels, and Magic in the Air

Monday Morning Musings:

“So dawn goes down to day.

Nothing gold can stay.”

From Robert Frost, “Nothing Gold Can Stay”

“The sky is already purple; the first few stars have appeared, suddenly, as if someone had thrown a handful of silver across the edge of the world.”

Alice Hoffman, Here on Earth

The leaves strive to stay,

pops of color dot the landscape

brightening the grey

 

but falling, flying, drifting so

as autumn grows colder,

they must go

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Red Bank Battlefield

as does the day

soon the shadows lengthen

silently sliding their way

 

along pavement and ground

above bare branches wave

without a sound.

 

Violet turns midnight blue

and a glimmering filigree of light

dots the sky, like morning dew.

 

Twilight—this magic time

when fairy tales sprout

in the mind—and so I rhyme

 

Once– if tale be told–

my arm up a turkey,

the day frigid cold

 

I shoo away a sniffing cat

look at the bird’s freakishly long neck–

wonder what kind of dinosaur was that?*

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Survival and extinction

I continue the job

I won’t eat it but some

 

will, it’s the family holiday deal

a mixture of traditions and love

along with the holiday meal.

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Our lovely sommelier

And so, we gather together

unmold the cranberry squirrel—to cheers–

bask in weirdness, warmth in the cold weather.

On this night of full beaver moon

we eat, drink, laugh, and talk

though ever present the tune

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of what will be and what was past,

we try to stay in the moment, mindful

that we cannot know what is cast

 

by the auger’s stones

our fate with the stars

unknown, until felt in our bones.

 

We eat leftovers for days–

and drink more wine

walk and sleep in holiday haze,

 

then we sleep and dream

of a million things

forgotten at dawn, the theme

 

who knows? I hear the birds sing

amidst November gloom–

a little winged thing

 

can achieve wonders, I think,

cat on a lap, a book, a cup of tea—

yes, back to food and drink.

 

In sunny weather, we go to see

a Swedish film, not comedy,

a fairy tale, of sorts, it seems to me

 

border can be taken in many ways

as can gender and eye of the beholder

much in the world and nature may amaze

 

a fable may hold truth—

no matter about who or what is told

shy or bold, cultured, or uncouth

 

Magic all around us

in glowing leaves and laughing speech

known and unknown worlds, ever thus–

And so, we talk

drink our coffee and catch our train,

then our shadows take a walk—

and soon we’re home again

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to sleep under the silvered sky,

to dream of wondrous, magic things,

to ask without answers all the whys,

to hear the stars sing and to them fly.

 

Thanksgiving 2018

*I read this article on Thanksgiving.

 

We celebrated Thanksgiving with family (missing older daughter and her wife) and friends. For those who are new, our cranberry squirrel is a beloved family tradition. The unmolding of it is part of the tradition, and this year my sister made a very funny recording of the event. We saw the Swedish movie, Border. Trailer here. As the trailer says, unlike anything you’ve ever seen. It is definitely unusual, but my husband and I liked it. Coincidentally, I’m reading a book that is also a sort of fairy tale but that is set in the area of the world where my ancestors came from. Perhaps more about that in a future post.

 

 

 

 

 

 

 

 

 

 

Cold and Burning

Monday Morning Musings:

 “Listen. .

With faint dry sound,

Like steps of passing ghosts,

The leaves, frost-crisp’d, break from the trees

And fall.”

Adelaide Crapsey, “November Night”

 

“In the burned house I am eating breakfast.

You understand: there is no house, there is no breakfast,

yet here I am.”

From Margaret Atwood, “Morning in the Burned House”

 

The sun sleeps

in shadow now

the ground prepares

to slumber, too

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covered in brown

then sprinkled with white

golden-leaved boughs

glowing bright

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in defiant display—

this they say—

remember this day–

we will return

 

when the sun burns

the frost away.

 

So, we stay inside

watch a movie of sly wit and song,

there death seems to come along,

a bit of jokester, it seems

for which we’re never prepared,

still we turn the pages in a book,

hoping for a happy ending

Movie Cat

He is fascinated, watching The Ballad of Buster Scruggs.

And in the night

I dream of petting a sloth

(in a park)

 

then accompanying a pretentious hipster

dressed all in black, dark

like the restaurant where no food is consumed

 

but I outwit him and his friends

and wake laughing at the dream’s end.

 

Score one for the old lady

there’s life here still–

and more to be penned.

 

We venture out to see another film

unfolding tension

(a few jumps in my chair)

 

metaphors and

things that are not there—

 

a tangerine,

perhaps a cat—

 

and there is burning—

of various kinds—

 

and yearning–

what is in their minds?

 

What do they feel,

 

the young woman,

the would-be writer,

and the mystery Gatsby-rich man?

 

What is real?

 

We walk and talk

buy spices

to simmer in the cold,

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then in the chilly day

creeping into shadowed night

savor the warmth of wine

consumed in cozy light

life enjoyed despite what may

transpire, gloom kept at bay

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undesired here and now

and our fate unknown anyhow

 

so, we gather rosebuds—or drink

fruit of the wine, laugh and think

 

but not too long about the future

instead we nurture

 

ourselves and one another

 

cuddle with cats, dream of the moon

enjoy one snowfall, but wait for June

 

still we prepare soon

with family to gather

 

as the seasons turn

burn only candles

 

yet, seek the light

in every room.

 

We watched The Ballad of Buster Scruggs, a Western, Coen Brothers style, in theaters and on Netflix. We also saw Burning, Korean movie, a psychological thriller. We liked both movies very much. Wonderful acting in both of them.

 

Awkward Fantasy and Ghosts

Monday Morning Musings:

“We have grown to trust blindly in our senses of balance and reason, and I can see where the mind might fight wildly to preserve its own familiar stable patterns against all evidence that it was leaning sideways.”

–Shirley Jackson, The Haunting of Hill House

The weather has been erratic. Storms followed by sunshine, but always hot, only the level of humidity changes. The volatile, vacillating moods are echoed in the movie we see about a woman with an abusive husband and their custody battle. Neither child wants to see the father, but the daughter, who is almost eighteen, doesn’t have to. It’s the ten-year-old son, Julian, who must submit to visiting his father in this movie that becomes an intense thriller, rather than a legal drama. After the movie, we walk through Old City, where ghosts still walk, flitting through gates to hover over flowers, and drift over the cobblestone streets.

 

Sun-chased charcoal clouds

tumble through the evening sky

bright blooms smile hello

Summer in Old City, Philadelphia

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We sip wine another night as the sky changes once again—blue turning grey. But we stay.

Wine glasses turn red,

echoes of the summer blooms

coloring the gloom

 

William Heritage Winery, NJ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We travel to the New Jersey Fringe Festival in Hammonton, NJ—“Blueberry Capital of the World.” We see three short plays, funny, touching, strange. (It is fringe after all.)

 

 

 

 

 

 

 

 

 

Summer festivals

walk through human emotion,

taste laughter and tears

We see a play about two fantasy worlds colliding,

sliding together

the man who lives in a porno world

meets a woman

then hurled

into her action hero world.

We thought the script could be tightened,

some excised, some enlightened,

but it was silly fun—and we’d only just begun

 

when off to the next one

about a man with two cartoon character names

and a most awkward life,

not so much filled with strife,

rather loneliness and seeking to connect

(even when his house is wrecked)

it’s whimsical, with ukulele and narration

and women who give him quite an education

in their multiple roles in his life, unlucky as it is

somehow, we see some hope at the end in his.

 

We pause to shop and eat gelato

 

NJ Fringe Festival,
Hammonton, NJ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

walk through the flow, and then go

onto the next play

stay there in the small, hot basement room

listen to the man, the actor, speak,

we jump at every creak

we’ve seen him before

(someone opens the door

to cool the room a bit,

and still we sit).

Last year he performed here

serial murderer Jeffery Dahmer,

he is compelling, in this telling

of the ghosts and demons he has seen.

All the evidence leaning sideways,

We always

Try to make sense of what we see and fear

And here

With theater we sway a bit—wonder what is real

What did he see? What did he feel?

Is it all a metaphor for inner trauma,

Packaged as paranormal drama?

And does it matter if it is?

We take what he gives

entertainment and thoughtful reflection

we walk and talk in the direction

of our car. Then off to dinner, a day well spent

in this summer event.

The clouds fly by—

perhaps it’s my fantasy

to see ghosts and shadow figures in the sky.

 

 

 

 

 

 

 

I decided to play with form a bit today–Haibun and rhyme.

We saw the French movie, Custody. Trailer here. We went to the NJ Fringe Festival and saw, Wildest Fantasy, The Most Awkward Love Life of Peabody Magoo, and Ghost Stories.

We ate dinner at Mera Khana in Berlin, NJ, where I finally got my vegetable samosas. (Everything they make is delicious.)

 

 

 

 

 

 

 

 

 

 

Ghosts of Guilt, NaPoWriMo, Day 30

Monday Morning Musings:

“Not only are selves conditional but they die. Each day, we wake slightly altered, and the person we were yesterday is dead.”

–John Updike, quoted here.

“Monsters are real. Ghosts are too. They live inside of us, and sometimes, they win.”

–Stephen King, The Shining

 

There are ghosts we see—or don’t

invoke, as though if left uncalled for

we’ll not provoke

those of the past,

who vanish–or won’t

go gentle into that good night,

the ghosts of guilt,

may waft or wilt

drift silently,

(seen just from the corner of your eye,

fly by)

but whether unexplainable

or declaimed

they are us

and soon, we’ll be them.

 

We see two movies,

walk in between,

to see the vibrant glow of spring.

 

 

 

 

 

 

 

 

The first film set in Hungary in 1945,

a small town that seems not war-torn,

some have even thrived.

The town clerk owns a well-stocked drugstore,

more–he lives with his family in a large town house.

Others have also gained homes and wealth

obtained by stealth,

though it’s all legal, they explain

(show the papers,

for goods and property

no one left to claim).

But they are haunted by their complicity

no joy at an upcoming wedding,

where there should be felicity

secrets begin to seep—

they’re all around–

Look! Two Jews in town.

What do they want, these nearly silent men?

As they walk behind the cart,

like mourners to a grave site.

Dark, somber,

(the film shot in black and white)

Here, it’s always “God Bless,”

and the brandy seems ever handy.

There’s a Hungarian saying about this brandy–

“Palinka in small amounts is a medicine,

in large amounts a remedy.”

But there’s no remedy for what they’ve done.

What have they lost, and what have they won?

The Germans are out, the Russians are in–

A new dawn

when the Jews are gone?

But these two, why are they here,

and what is it the town folk fear?

Dark smoke billows from the train,

sun-filled day fills with thunder and rain.

The monsters are real. The ghosts are too.

They are us, and we are them.

 

We walk and chat

about the movie, this and that–

the susurration of sparrows,

 

 

 

 

 

 

 

 

 

the murmurings of spring

though the ghost of winter, touches

with icy fingers clings

as we turn from sun to shadow

 

 

 

 

 

 

 

 

 

whispers–

you can’t flee me forever,

I’ll return in November or December,

when seeds then huddle underground,

sharing the cold comfort of the dead.

But now is for the living instead,

in blooms of green and pink and yellow and white

glowing, vibrant in the light.

 

 

 

 

 

 

 

We walk, seeing weddings and brides in white

smiling groups, life in color and in light.

 

 

 

 

 

 

 

 

 

 

 

We see a second film,

this one with ghosts up front

that an investigator will confront.

He’s a skeptic, he doesn’t believe,

but perhaps there are events he also grieves

There are scenes that makes us jump–

doors that rattle, and things that bump,

demons that are locked away,

but are released,

perhaps, to stay.

Three cases become woven together–

Will there be a happily ever after?

(Cue the nervous laughter).

 

We walk some more,

The Signer stands tall

The Signer,
Philadelphia

 

 

 

 

 

 

 

 

 

 

through many seasons–

he’s seen them all—

and thus,

though he represents freedom

he’s surrounded by ghosts

who flit over cobblestones,

manning their posts,

due diligence, remember the past—

remember us.

 

 

 

 

 

 

 

 

 

My cat wakes me from a dream—

a ghost tells a character in a play

(stories within stories within my dream, it seems)

“we mourn the dead, but we move on.”

They are us,

and we are them.

Life moves on–

we begin again.

 

 

 

 

 

 

 

 

 

 

The final NaPoWriMo prompt asks us to “write a poem that engages with a strange and fascinating fact.” Well, I included some facts. They may or may not be strange or fascinating. For more on “odd facts” about Hungary, see here. And here is more on the Holocaust in Hungary  The Signer statue is in Philadelphia’s Old City.

We saw the movies 1945 and Ghost Stories.

 

 

 

 

 

 

 

 

 

 

Waking Dreams

Monday Morning Musings:

“Something nameless
Hums us into sleep,
Withdraws, and leaves us in
A place that seems
Always vaguely familiar.”

–Mark Strand, “Dreams”

“All that we see or seem

Is but a dream within a dream.”

Edgar Allen Poe, “A Dream Within a Dream”

 

My daughter and I talk–

sleep paralysis

she says,

waking to plunge into the terror again

not being able to move, or scream

in the terror of the dream.

 

And I think of the young people caught in a school

and those elsewhere—the whirlpool,

the vortex of contradictions,

fight or flight,

rehearsing what to do if caught,

a nightmare over and over again

until some finally scream, “Enough! Be seen!”

we need to flee the terror of this dream.

 

I was child,

practicing the duck and cover drills

ridiculous, tilting at windmills,

but I remember being terrified,

petrified that my parents would not come for me

before whatever we had to flee–

a world ending with both bangs and whimpers—

no tears,

just fear,

and no way to wake

from the terror of the dream.

 

And so, how can anyone say these young people are tools,

they have seen the violence in their schools,

they have been forced to practice,

to dance with fear,

to hold it near,

and should their dreams die

before they’ve had a chance to fly?

 

We see a movie

about grief and guilt

from wars, built

stronger, lasting, flowing through generations,

the absurdity of life–

the solitary camel ambling to the checkpoint gate–

the soldier who dances the foxtrot with his gun

fun arising from boredom with surrealism fused-fate

that keeps us dancing and returning to the same spot—

caught–

as if in a dream.

And though the movie is set in Israel

where “the fallen” fall so often

that those who bring the news are prepared

to deal with the grieving and the scared–

they come with drugs and instructions,

attuned to this production,

the result of the war machine,

the resulting grief and tears it brings–

still what happens there,

could happen anywhere

where there is war

and where dreams are launched

with guns and bombs

prayed over with psalms,

and where they fall from the sky

to die.

 

We walk and talk

the day is still cool,

but the seasons are cycling

through the year—

and spring is near.

We see a wedding, groom and bride

attendants by their sides.

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Though the fear is in abeyance here

the nightmare lasts,

we must lift our voices to put it past.

to see the light,

to see the sun,

the hopeful dreams, caught and spun,

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Can we celebrate our fate,

move towards love, not to hate,

unparalyzed, with dreams awake,

wear hope like a perfume?

We arrive home–

to find some daffodils have bloomed.

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We saw the Israeli movie Foxtrot. Trailer here.

 

 

 

Stories Beneath the Surface

Monday Morning Musings:

“I could be

In someone else’s story

In someone else’s life

And he could be in mine. . .”

–Benny Andersson, Björn Ulvaeus, Tim Rice, “Someone Else’s Story,” from the musical Chess

“People’s personalities, like buildings, have various facades, some pleasant to view, some not.”

-François, Duc De La Rochefoucauld (1613-1680) Moral Maxims and Reflections, no. 292

 

On a sunny day–

spring in February thinking of May–

we stroll through sun and shadows

façades that hint of love inside

I wonder if it is—

and who they are–

wonder about their stories

(someone else’s story)

 

All of the stories that have been lived

as the centuries turn

eighteenth to nineteenth and on

through changing façades–

those that remain–

past and present merge

modernized, expanded, reformed–

like this church–

where beneath the surface

lie the remains of those

who once lived and breathed here

Old Pine Church looking toward St. Peter’s Philadelphia

 

their breaths becoming part of the ecosystem

their steps leaving footprints,

sometimes larger in death than they were in life.

Other people’s lives,

Someone else’s story

 

When they lived,

did they wear their hearts openly—

like the cutouts on the door,

or did they keep their feelings buried

deep inside

behind a façade of smiling respectability?

I wonder how many had secret lives

yearnings that they could never admit?

Complex creatures

we divide ourselves

closing doors—saying this is not allowed

we must not live that story,

but times change

and churches, too,

and love is love is love

 

In the quiet here, there is not silence.

Do their ghosts walk by my side here?

that sound

the wind,

or their sighs

telling me their stories?

In the unquietness of this place,

filled with hundreds of stories

of birth, love, sorrow, and death

a living child with his mother screams in delight

and runs over the graves. . .

what happens at night behind the gates?

 

We wander back to the movie theater to see

someone else’s story—

there up on the screen

A Fantastic Woman

and she is

what does it matter that she was born a man

(we all have our façades)

but she was loved

and still is by her sister and friends

and a dog–

who doesn’t care about societal labels–

some do not treat this woman well

they threaten and humiliate her

but life and her story go on

because she is a fantastic woman

 

And after –

we talk and walk

to where fire recently destroyed part of a block

nineteenth-century buildings

one will have to be demolished

all but it’s first floor cast iron façade–

 

Third and Chestnut, Philadelphia February 2018

 

the stories of these places–

the people who lived there now displaced–

and while we stand there

gazing at the devastation,

I get a text from a friend,

find out about her son’s illness—

the dangers of the invisible world

within our bodies

beneath the surface,

we don’t always see or know what is there–

(thankfully, it seems he will be okay)

and though this is someone else’s story

they are my friends,

so it becomes part of my story, too.

 

The next day, it turns cold again–

February’s story–

we turn the heat back on

eat homemade pizza, drink some wine,

huddle under blankets,

watch Netflix–and our cats—

we text our daughters,

sending virtual hugs–

behind the walls of our house

this is our story,

and I don’t want someone else’s life.

 

A Fantastic Woman stars the fantastic Daniela Vega,  a trans woman (who also sings in the movie). The movie was made in Chile, and it is nominated for best foreign film. I keep thinking about it. See the trailer here.

The architecture of the fire-damaged buildings is described here.

 

 

 

 

 

 

 

 

 

 

Ups and Downs, Time Lost and Found

Monday Morning Musings:

“That you are here—that life exists, and identity;

That the powerful play goes on, and you will contribute a verse.”

–Walt Whitman, “Oh Me! Oh Life!”

“There is regret, almost remorse,

For Time long past.”

–Percy Bysshe Shelley, “Time Long Past”

 

 

Months ago, in summer weather,

when temperatures were up,

I walked down,

and saw a watch

left on the stairway

of the parking garage,

black band

(digital, no hands)

encircling the red railing, like a wrist.

Was it an object lost, then found?

Or a statement perhaps—we are time bound?

A metaphor, let me expound–

the passing of time

or of us passing while time stands still—

make of this what you will,

but I think of it still.

 

This has been a strange week

of ups and downs

in life and weather,

one day snow and one day spring

not knowing what the next will bring

the stock market rises and falls

the calls hidden behind the White House walls

(well, what isn’t Twittered

from a president who needs a babysitter!)

life seems so unstable

inconstant,

things I once took for granted,

now it’s arguments and views slanted.

 

On a cold morning,

I take the train into Philadelphia

the day after The Big Game

and though to me, sports are all the same

still, it’s good to see people happy

sharing, caring,

instead of being mean and snappy.

Walking in the cold

looking at the new and old

I’m anxious about a meeting,

but I feel joy in my heart,

as I suddenly notice, then stop—

to take photos of public art.

 

 

During this week of ups and downs

we look for papers to document my mother

(to prove she is not some other)

her existence in black and white upon a page

to prove—at this stage—

she is who she is.

She needs them for government services,

and we are filled with anxiety, nervousness

that we will not be able to prove she is who she is—

till we find them in a box

events dated, time stopped

on this day born

on this date married

documents of a life lived and varied,

while time is carried

through ninety-five years

of laughter and tears–

the ups and downs of joy and fears.

 

We go to a movie about verbal abuse and life,

men insulted, but they’ve lived in strife

and though one claims he does what he does

not for himself, but for his child and wife,

it is all about him

(as it always is,

women learn to live with this

the catcalls, the taunts, even physical abuse

now suddenly, in the news).

We learn that both men are more than who they seem

at first

(as are we all)

both have nursed

fears and sorrows,

have wanted better tomorrows,

and though the film takes place in Lebanon

there are universal feelings and issues that we understand

and may or may not agree upon–

house repairs, urban renewal, and immigrants—

the costs of war—

there is more,

as up and down,

the movie becomes a courtroom drama—

with family issues—and if not karma,

then resolution, of a sort.

 

From there we go to taste wine

paired with chocolate

anticipating Valentine’s

we sip, and smile, and feel fine

(understand, it’s not just the wine).

All who pour

smile, as if it’s not a chore,

a woman says her mother knows my husband

her brother is at the other table,

We leave them tips

because we’re able

and life goes up and down, unstable.

Then we buy chocolate and wine to have later,

perhaps we’ll debate, which is greater—

but only after taken, do I see the watch in the photo—

time’s message of  then or when,

And I wonder again. . .

 

In the night, I dream

of finding blue glass and paintings,

in a post-apocalyptic world,

beauty and art–

the message there,

time passes on

through ups and downs–

I take them to share–

contributing my verse.

 

We saw the movie, The Insult, which is nominated for best foreign film.

We went to William Heritage Winery.

I’m having an issue with WP. It won’t save unless I use the old format editing, so everything seems a bit off. Sigh.

 

 

 

 

 

 

 

 

 

 

 

Journey in Place: Beginning and End

Monday Morning Musings:

“It is good to have an end to journey towards; but it is the journey that matters, in the end.”
—Ursula K. LeGuin, The Left Hand of Darkness, 1969. Often misattributed to Hemingway.

 “To light a candle is to cast a shadow.”

–Ursula K. LeGuin, A Wizard of Earthsea

 “What we call the beginning is often the end
And to make an end is to make a beginning.
The end is where we start from. . .

Every phrase and every sentence is an end and a beginning,
Every poem an epitaph.”

–T.S. Eliot, “Little Gidding”

 

It’s a stressful week, we burrow in—

hunker down

in restful verbs and tasty nouns,

lighting candles in the night,

casting shadows against the bright

light and darkness

co-exist,

without one, is the other missed?

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I journey in place

keeping pace

(I hope with grace)

flowing, risking with rhyme and meter,

thinking of a double feature–

perhaps tonight–

traveling without moving

wondering if I’m improving

no matter,

if it’s soothing. . .

 

to stay in my pajamas

listening to public radio,

interviews with Nathan Lane and Laura Marling,

unsnarling the day’s news with Michel Martin–

mostly disheartening–

I make dough and bake pizzas

enough for us and the shadow figures, too—

of course, wouldn’t you?

I mean, if they should they care to join us,

we’d have enough

and so, we dine,

drink some wine

watch a movie of two families, white and black

see, there’s no going back,

when time moves forward

we go onward,

even while people are wandering

out of place

lost in space–

well, you can take the boy from Mississippi,

but what happens when he returns a man?

People don’t understand

the legacy of poverty and hate,

and racists don’t want to debate

truth seen in a black and white–

it’s easier to fight.

 

So much to consider,

and some of it makes me bitter,

I think about the six million dead,

those who never got a chance, never fled

wonder if my family’s genes were among them—

hemmed in

forced to live in shadows, in nightmares

or rather, left in there

suffering and forced to die

their cries reverberate

(never abate)

we light a candle in their memory

holocaust_memorial_center_memorial_wall_of_victims_005-1

(never forget)

the sorrow of their journeys,

(remember me)

their souls shout out

but what do my words create–

 

and what good is an epitaph for them or us—

is what time was forever thus?

Perhaps to foist a new beginning,

or to change the end

when life circles round,

we can start again.

 

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Not watching the movie.

 

Holocaust Remembrance Day was on Saturday, January 27. We watched the movie, Mudbound, on Netflix.

 

 

 

 

 

Winter Changes

Monday Morning Musings:

“No Notice gave She, but a Change—

No Message, but a Sigh—

For Whom, the Time did not suffice

That She should specify.”

–Emily Dickinson, from “No Notice gave She, but a Change”

 

“The things that never can come back are several—“

–Emily Dickinson*

 

“But now they only block the sun

They rain and snow on everyone. . .”

–Joni Mitchell, “Both Sides Now”

 

We see movies about women who experience life changes

change that ranges

through ages, horrors, and time

one mother with a daughter murdered and raped

shaping the rest of her life

(ignoring her son)

she puts up billboards and rages,

feels guilt and regret in stages

for what was said and done, she can’t forget

and yet,

there are people who care

and I like that we’re made aware

that most people are not simply bad or good,

but a mixture, often misunderstood,

complex and confused

the movie is anger-charged, yet funny, too

showing how people might change–

or perhaps we see them differently—

that could be,

they might exchange their views

(or sometimes not)

though they may sigh

and may not specify,

what it is they desire or want

though the things that never can come back are several.

 

The other movie is about a daughter who is coming of age

she and her mother who love each other

but argue persistently and consistently

as the daughter experiences first love and heartbreak

(Remember that age when so much seems at stake?)

in family life and strategies

we see life’s comedies and tragedies

as the young woman tries to break free

while realizing there is so much she didn’t see

or comprehend–

the value of a friend–

and a home that she will see anew, perhaps long for

someday, again.

 

(Bonus here, the high school theater scenes

where so much goes on in-between–

from auditions to production

and a director’s hilarious instruction.)

 

Changes come, with a feeling of sadness imbued

such as when the old garage was torn down,

and replaced now with the new

carried by truck through town

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Through the window, I see the shed delivered.

set up quickly by the men,

and here it stands

still to be painted

for now, we’ll just get acquainted

as the weather alters to winter cold

the clouds move in to block the sun

and snow falls then on everyone

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and gone for now is land and sky

as winter-white flutters and flies

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Watching the snow

I catch a flake upon my hand

and wake to a winter wonderland

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But now I prep for a colonoscopy

(SO many places I’d rather be

than here doing this)

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though right now, I’m so literally not full of shit

unlike our leaders, who sleep, leap, and wallow in it

every day, trapping us deeper in the mud and crap

our nerves so frayed and ready to snap

changes from when people felt hope and optimism

now the monsters who before were hidden

roam openly, and they will not be forgiven

by history or time–

if we survive–

still as long as the dawn still rises

and cracks get filled with light

and there is poetry, movies, books to bring delight,

we won’t give up the fight

or take flight

or be numbed to evil that lurks

but find what works

to make the darkness go.

As Christmas lights shine brightly on the snow

and we light candles and decorate

hope the season of peace and love will penetrate

overtake the hate and fear

that seems to have swallowed the year

if only the scents of cinnamon and nutmeg–winter spices–

could bring forth niceness.

For now, winter snow blankets my world in white

and I, warm inside, can savor the sight–

noticing how it absorbs and reflects the light,

I stare,

wonder if it changes the air,

if hope can rise above despair.

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We saw Three Billboards Outside of Ebbing, Missouri, trailer here.

And Lady Bird, trailer here.

Both were excellent movies, though I think my husband and I preferred Lady Bird. Frances McDormand (the part was written for her), Saoirse Ronan, Laurie Metcalf were all wonderful, as were the rest of both casts. Fun fact: Lucas Hedges, the young man in last year’s Manchester By the Sea, is in both movies.

 

*Emily Dickinson wrote this poem on the back of a recipe for coconut cake. This short article is about her and baking, and I plan to try some of her recipes soon.

 

 

 

 

 

 

 

 

Starry Nights: Musing and Shadorma Challenge

Monday Morning Musings:

“This morning I saw the countryside from my window a long time before sunrise, with nothing but the morning star, which looked very big,”

–Vincent van Gogh to Theo, Saint-Rémy, France, 1889

“For myself, I declare I don’t know anything about it. But the sight of the stars always makes me dream.”

–Vincent van Gogh, letter to his broth Theo, July 1888

 

It was midday, but we saw stars,

swirling lines

and colored bars

65,000 hand-painted frames

aiming to depict the art and life

the vision, the strife

artistry in different forms–the imagination

to take his art, recreate, use animation

caught us,

and we flowed with the waves of light

through bright days and starry nights.

 

Vincent loved

his brother, Theo.

Wrote letters,

long missives

every day penning his thoughts

on art, love, and life

 

The movie involved a bit of mystery

born not just from art, but from Vincent’s history

of writing these letters to brother Theo

and so

Postman Joseph Roulin

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Sends his son to deliver one

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found after Vincent’s death

Armand travels, meets the people with whom Vincent interacted

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Vincent van Gogh, “Dr. Paul Gachet,” [Public domain], via Wikimedia Commons

Learns what they felt, and how they reacted

to his art and eccentricities,

some charged, by his electricity,

others repelled,

the story told almost Rashomen-style

different versions of the artist and the man

and we’re left to understand him, as best we can.

 

An artist for a few years only,

failing at other careers,

art dealer, missionary,

he was a visionary

though his stern parents thought he was a failure,

he painted over 800 paintings in his short career

and it is clear

that he suffered for his art

and gave from his heart

his mother disposed of his work in a crate

finding out–only too late

though she thought he was dim and full of whims

others a genius thought him

 

We walk out into the warm November day

drink coffee

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And look at the colors play

Through city streets and historic sites

And think about Vincent’s short life

 

A few days later

We’re immersed again in art

Using a gift from friends–

sisters of my heart–

we ponder, peruse,

perhaps a snooze,

 

or eat and chat

perhaps a scream

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(imagine that)

I think of light

And creativity

of sun and clouds

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and starry nights

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Ceiling of van Gogh Café

And so, to bed

pillows piled high

from a cat, a gentle sigh

the night here cloudy

perhaps we’ll sleep soundly.

but in our dreams

nothing is as it seems

 

in our dreams

we fly, starry skies

swirl and flow

on light beams

we ride, silver stardust flows

magic of the night

 

Immersed in art

through starry nights and clouded days

seeing magic, creativity,

imagination, a constant, that stays

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We saw the movie Loving Vincent. Trailer here.

We visited Ground for Sculpture. I have many more photos that may appear at some point.

I missed a couple days of Eliot of Along the Interstice’s November Shadorma Challenge,

so I’ve put a couple into this week’s musings.