Walls, Again and Again

Monday Morning Musings:

From a window I watch the birds flocked together to find food, to feed, fueling before the chilly winter rain begins again, following each other ground to sky and back again. I watch a couple of black birds—starlings perhaps–pecking at an old light fixture hanging below the eaves of my house. We think they don’t think or love or dream. Perhaps they think the same of us?

Species to species,

is there communication?

Walls between us all

 

I watch my cat dreaming and wonder what he sees. I wake from my own dream. It fades to mist. I remember only my sister. Her hair is styled in coils on each side of head—a 1940s hairstyle. She slowly morphs into my grandmother, my mother’s mother–

dream walls dissolving

past, present, future merging

an uncertain message

 

On a chilly day, we see a production of Romeo and Juliet. The cast wears modern street clothes, Mercutio raps. There is a band and a “Greek chorus” of local college students. There are curtains of shimmering golden strands; the actors part and walk through them. They also wheel these golden strand curtains into place to form walls on the otherwise mostly bare stage. There is another wall at the end of the play, where the singer and band sing about love being “a waste” if it is only “a wall to keep the truth away.” Some of the beauty of Shakespeare’s play has been lost, yet we enjoy this imaginative production. We talk as we walk through city streets. Then within walls, where it is warm and dry, we sip some wine, and eat some cheese.

enemies fated,

or find love notwithstanding—

what is in a name?

 

We walk past garden gates and walls to see another play. Ripped from too many headlines—the far too common killings of black people by white law enforcement officers—the play is set in the jury room where the jury is deadlocked. They decide to try to react the circumstances of the case giving all those involved a backstory, which leads to the final, surprising, and powerful conclusion. The play is not perfect and some it is a bit contrived, but it seems designed to help tear down some walls. Every performance has a talk back session. Some people say they like how the characters are made human. No one here is evil, even if we do not agree with their opinions. There are walls of human misunderstanding and conflict in both plays.

conversations help

break down walls of distrust

challenge our notions

And yet—we finish watching the third season of The Man in the High Castle. I am chilled by the vision of smiling youths tearing down monuments and burning the New York Public Library. This is a fictional world, but lately there are too many similarities to the real world. The petulant baby foments hate. We should all be behind a slogan to Make America Better, not to the one he champions that looks back to world where racism, sexism, and homophobia flourished. I see too many posts railing against “illegals,” the ignorance astounds me. And on Holocaust Remembrance Day, commemorating when Auschwitz was liberated, too many do not believe it happened, while there are some who would like it to happen again. I watch Rent, and I think of the Parkland students singing “Seasons of Love” at the Tony Awards last year.

“It’s time now to sing out,

though the story never ends”

still walls of hate here

Every family has its secrets, its walls. Every family has its tragedies and comedies, a play in several acts. We live out our stories within the walls of homes, schools, workplaces, or in confinement somewhere. My mom rarely ventures outside the walls of her building now because she can’t go out by herself. We drive her to our daughter’s house for brunch. We talk, eat, and watch the dogs play. We laugh. We love. Sometimes that is enough.

Walls can shelter us

from bad weather, and from life

but love helps us grow

The moon hums a lullaby for birds, cats, and me. Walls dissolve, and we share a dream.

 

I guess this is more prose and verse rather than a series of haibun. And also, sorry, WP won’t let me delete the video below.

 

 

 

 

 

Grey Clouds, White Snow, and Beautiful as You Feel

Monday Morning Musings:

We’re frozen in a shadow world of dreary grey clouds, not even interesting enough to be chiaroscuro, just day after day dismal bleakness. Finally, the sun appears, and though the wind is gusting, and it is cold, I am thrilled to see sunshine. I have a doctor’s appointment, and we decide to make the rest of the day into an afternoon date—lunch and a movie. Before the movie, Green Book, I discover a little pond by the multi-plex parking lot. Beauty in unexpected places.

sun shines one fine day–

cold white clouds on blue surface,

rippled by webbed feet

Pond beside Multiplex, Voorhees, NJ--Merril D. Smith 2019

A friend stops by–just for a moment to drop off a belated birthday gift. The presents are lovely, but it’s the thoughtfulness that I cherish more. We’ve been friends since our college years when our now husbands were roommates. She’s a friend I could call in the middle of the night if I ever had to.

know you’ve got a friend

in January’s dark cold

to bring glimpse of spring

 

We’re watching The Man in the High Castle. In this alternate reality, the United States is split between the Nazis on the East coast and the Japanese on the West. In one episode, a Jewish man (who practices his religion in secret) tells another character to continue to create art, to find beauty so that “they” don’t win. He says Jews have outlived evil before, and they will do it again. I hope he’s right.

creating beauty,

wondering if it’s too late

for seeds to flower

Sylvia Schreiber Painting

One of my mother’s paintings.

Sun and wind, then grey skies again. A Sunday morning snowfall, quiet and beautiful.

there, up on the roof

snow lays a silent white quilt–

inside all are warm

 

We eat mussels and pomme frites at a Belgian bar. Then we walk through the cold city streets, where some holiday decorations remain.

 

small blankets of white

lights twinkle so far away–

city winter night

In the beautiful Academy of Music, we see Beautiful. The show tells the story of Carole King’s life, focusing on her relationship with Gerry Goffin, her husband and writing partner, and their friendly rivalry with songwriters Barry Mann and Cynthia Weil. The show ignores the social and political events going on at the time, though her declaration of independence got a cheer from women in the audience. Still, the songs that carry the show along—and they, of course, are wonderful. The show begins (“So Far Away) and ends with Carole alone on the stage at the piano (“Beautiful”).

light so far away,

you’re beautiful as you feel—

hope in dark of night

 

We go home to dream–of some kind of wonderful.

White Cat on Grey Couch, National Park, NJ

Each of the haiku–and the final line– includes a line from a Carole King song:

“One Fine Day” (Gerry Goffin and Carole King)

“You’ve Got a Friend” (Carole King)

“It’s Too Late “(Carole King)

“Up on the Roof “(Gerry Goffin and Carole King

“So Far Away “(Carole King)

“Beautiful “(Carole King)

“Some Kind of Wonderful” (Gerry Goffin and Carole King)

And here’s a bonus for you from when Carole King was honored at the Kennedy Center.

If you’ve never seen this, then you’re welcome. And if you have, then you know–Aretha Franklin, the Obamas, and Carole King herself–all the feelings!

 

Open the Door to Light

Monday Morning Musings:

 “But no man would sacrifice his honor for the one he loves.”

“It is a thing hundreds of thousands of women have done.”

–Henrik Ibsen, A Doll’s House

“Concrete and barbed wire, concrete and barbed wire
It’s only made of concrete and barbed wire”

–Lucinda Williams, “Concrete and Barbed Wire”

“The instant passed so fast, and when that happens, it goes for good and all you have is a slow lifetime to speculate on revisions. Except time flows one way and drags us with it no matter how hard we paddle upstream.”

–Charles Frazier, Varina

 

We go to a concert on a rainy night

but the lovely old theater is bright

 

with anticipation, as well as light–

the music after twenty years, still right

 

though some songs take on a different meaning

now, when certain leaders are not so much leaning

 

but rather trampling rights to the ground—

but here, we’re more interested in the sound

 

of the music and the stories that she told

of how her life and memories unfold.

The next day we see a play

a sequel of sorts, though not in the way Ibsen would say

 

(if he did) after the door famously slammed.

So, Nora returns—and

 

she’s done well, but it’s complicated

(of course), and if we’re a bit frustrated

 

by the end result, that may be the intent

to think about what the characters underwent

 

as well as life for women then and marriage vows—

it’s hard to escape the political now.

 

I think of all the women of the past

stuck in marriages, hoping to outlast

 

perhaps the drudgery—or pain—

not much choice, forced to remain.

 

We walk and talk about the play

as the sun lowers on the day

Carpenter's Hall, Philadelphia

we see weddings amidst the falling, fallen leaves

where trees and sky form photo eaves

and I hope these couples face no final slamming door

except the one we all must face, till then, I hope they adore

 

one another, forever—and more.

 

But time flows on. . .or perhaps it circles from before. . .

 

I dreamt last night of flying through space

and time flowed, at an unmeasured pace

 

past glowing planets, circling round

bubbling with the sound

 

of joy and laughter—

a dream, real then, if not after.

 

The river flows

and no one knows

The Delaware River, seen from West Deptford, NJ. Merril D. Smith

what the future will bring

even as to the past we cling,

 

or sling, snap, swing, sway

what we can, hope for a day

 

when light shines brightly

kissing the air lightly

 

illuminating gold leaves and blue sky

banishing fear, hate, and all the whys

 

of evil—though this day will never arrive

we can still try to make kindness thrive.

 

In the U.S., we have mid-term elections. I’m hoping the party of hate, fear, and lies, gets sent a clear message that the majority do not want that.

 

 

 

 

 

 

 

 

Walking Through Time and Colored Space

Monday Morning Musings:

“People observe the colors of a day only at its beginnings and ends, but to me it’s quite clear that a day merges through a multitude of shades and intonations, with each passing moment.

A single hour can consist of thousands of different colors.”

–Markus Zusak, The Book Thief

I.

Valley Green Inn

Valley Green Inn

A lunch date at a favored place

where time both moves and pauses, still—

 

(our hearts, across, but not apart.

He says, “Look at that horse and cart.”)

Valley Green Inn

We eat and talk, at a leisurely pace

we walk through sun and autumn chill

past greens and blues and shadowed grey

where rival geese gangs gather like Jets and Sharks

 

(honks and echoes through the park)

 

and pops of red and golden leaves gently sway

in the breeze that sparks

 

more conversation–

punctuated by loud fowl annotations.

 

All the colors of the day, all the light that bends

as life begins and as it ends

 

what do we see—

no, really look, stare

 

focus on a tree,

at all the colors there

October, National Park, NJ

the hues of yesterday tread

on tomorrow–but see today.

 

And so, we do,

and watch it slowly fade away

 

to the bright humming moon in the indigo blue

who sends our dreams out on their way.

IMG_0304

 

II.

Another walk, I see AMOR, bright red

and nearby, a yellow flower

then a memorial to survivors and six million dead

murdered by those came to power

while others stood by.

(Not humanity’s finest hour.)

 

I see fountains and birds

and buildings and sky–

but what are the words

to offer, when I wonder why

 

the hate—then comes another shooter

thoughts and prayers do not suffice

 

against the looters and wannabe storm troopers–

how many more must be sacrificed?

 

What of memorials then, and statues of love

when the haters make no amends

 

and the peace dove

seems to fly a route that bends

 

and sways precariously

while the refugees flee–

 

So, we gather together, family and friends

find joy in cats and pizza, hold close hope—

FullSizeRender 653

look for the helpers, the lights in the crack

look for love, and those who have your back

 

because who knows when something wicked this way comes

and if only we could be warned by pricking of the thumbs

 

and if evil only came in theatrical play

wouldn’t earth be a wonderful place to stay?

 

III.

We walk again, view art on the walls

pops of color on fall’s gloomy streets

FullSizeRender 656

discuss stories and recall

this and that, before we take our seats

 

to see a play about after the apocalypse

a ragtag group that performs The Simpsons.

they recount episodes, buy lines for scripts

try to come to grips, that they’re the ones

 

who are left. The play continues, years pass

and a mythology forms, but has love won?

 

Certainly, the need to tell stories is ageless, ancient

words, rhythm, art, song—is eternal

 

and so is the need to make a statement

about our own times–so it comes full circle.

 

We discuss the play over cheese and wine

then walk to the train to return to our home

Tria

Orange wine at Tria

feeling fortunate that we are fine–

though my thoughts roam

 

to those who have lost people they cherish

killed by hate and those who support it

 

how do we make it perish,

make the world emit

 

love, kindness, joy,

and hate outwit–

 

so, a ploy–

I sleep and dream–

 

see time rippling in a wave

flowing in an endless eternal sea

 

colored by infinite hues, and thoughts we save

ride through all space, simply waiting to be

 

born again with a bang.

Dreams of a thousand colors. Think if. Maybe. Stay.

 

Sunrise, National Park, NJ

 

Even though this is more than one walk, I’m also linking this to Robin’s Walktober. I hope that’s OK, Robin.

I. We had lunch at the Valley Green Inn, then walked along Forbidden Drive.  II. I walked through the Philadelphia Holocaust Memorial Plaza (also written about here) and along the Parkway in Philadelphia. III. We walked around before and after seeing Mr. Burns, A Post-Electric Play at the Wilma Theater.

 

Once

Monday Morning Musings:

“Falling slowly, sing your melody

I’ll sing it loud”

From “Falling Slowly,” Once,

Music and lyrics by Glen Hansard and Markéta Irglová

Once. . . I woke in darkness. Then the sun rose golden through rose-tinged clouds. The air was cool but clear. The world shifted and tilted. Dreams rose from the misted woods.

morning moon whispered

softly, praise touched red-gold leaves

geese honked overhead

Morning Moon

If you look carefully, there’s the morning moon.

chevron rises up

earth cycles, river to land,

the tide ebbs and flows

Geese at Red Bank Battlefield Park, NJ

We take a train into the city. We walk over sun-bright cobblestones, passing tourists who stroll and chat in a variety of languages. We wait on corners as wide city buses try to turn onto narrow streets. We enter a theater. Seats surround a center stage area covered with Oriental rugs. Musicians are playing Irish songs of the past and present. I bop in my seat to “Brown Eyed Girl” and tap my feet to a jig. Last call for the bar. The lights go down, and magic begins.

man meets a woman

music flows, drifts from their souls,

they’re falling slowly

 

together in tune

Dublin days strummed in rhythm–

piano echoes

 

musicians rebound

music from aisles and walkways

crowd smiles and applauds

We walk and talk. Watch the lowering sun shine through cloud-dappled sky. Red bricks glow. In Washington Square, a young girl whispers her secrets to a tree. Does it answer?

music of nature

city sounds form the chorus

we dine al fresco

Again. . .

We dine al fresco

wine and pizza in sunshine

a dog rests in joy

Nightfall comes too soon,

moon rises to hum goodnight—

cats slumber and dream

 

Sleeping Cat

Once. . .September was full of rain. The world was full of anger and sorrow and lies. But once, September ended in a perfect weekend of sunny days and cooler nights–falling slowly into October.

 

We saw the  musical Once at the Arden Theatre Company in Philadelphia. It was a performance full of warmth and spirit, wonderfully staged. Here they are rehearsing “Falling Slowly.

 

 

 

 

 

 

 

 

 

 

Awkward Fantasy and Ghosts

Monday Morning Musings:

“We have grown to trust blindly in our senses of balance and reason, and I can see where the mind might fight wildly to preserve its own familiar stable patterns against all evidence that it was leaning sideways.”

–Shirley Jackson, The Haunting of Hill House

The weather has been erratic. Storms followed by sunshine, but always hot, only the level of humidity changes. The volatile, vacillating moods are echoed in the movie we see about a woman with an abusive husband and their custody battle. Neither child wants to see the father, but the daughter, who is almost eighteen, doesn’t have to. It’s the ten-year-old son, Julian, who must submit to visiting his father in this movie that becomes an intense thriller, rather than a legal drama. After the movie, we walk through Old City, where ghosts still walk, flitting through gates to hover over flowers, and drift over the cobblestone streets.

 

Sun-chased charcoal clouds

tumble through the evening sky

bright blooms smile hello

Summer in Old City, Philadelphia

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We sip wine another night as the sky changes once again—blue turning grey. But we stay.

Wine glasses turn red,

echoes of the summer blooms

coloring the gloom

 

William Heritage Winery, NJ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We travel to the New Jersey Fringe Festival in Hammonton, NJ—“Blueberry Capital of the World.” We see three short plays, funny, touching, strange. (It is fringe after all.)

 

 

 

 

 

 

 

 

 

Summer festivals

walk through human emotion,

taste laughter and tears

We see a play about two fantasy worlds colliding,

sliding together

the man who lives in a porno world

meets a woman

then hurled

into her action hero world.

We thought the script could be tightened,

some excised, some enlightened,

but it was silly fun—and we’d only just begun

 

when off to the next one

about a man with two cartoon character names

and a most awkward life,

not so much filled with strife,

rather loneliness and seeking to connect

(even when his house is wrecked)

it’s whimsical, with ukulele and narration

and women who give him quite an education

in their multiple roles in his life, unlucky as it is

somehow, we see some hope at the end in his.

 

We pause to shop and eat gelato

 

NJ Fringe Festival,
Hammonton, NJ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

walk through the flow, and then go

onto the next play

stay there in the small, hot basement room

listen to the man, the actor, speak,

we jump at every creak

we’ve seen him before

(someone opens the door

to cool the room a bit,

and still we sit).

Last year he performed here

serial murderer Jeffery Dahmer,

he is compelling, in this telling

of the ghosts and demons he has seen.

All the evidence leaning sideways,

We always

Try to make sense of what we see and fear

And here

With theater we sway a bit—wonder what is real

What did he see? What did he feel?

Is it all a metaphor for inner trauma,

Packaged as paranormal drama?

And does it matter if it is?

We take what he gives

entertainment and thoughtful reflection

we walk and talk in the direction

of our car. Then off to dinner, a day well spent

in this summer event.

The clouds fly by—

perhaps it’s my fantasy

to see ghosts and shadow figures in the sky.

 

 

 

 

 

 

 

I decided to play with form a bit today–Haibun and rhyme.

We saw the French movie, Custody. Trailer here. We went to the NJ Fringe Festival and saw, Wildest Fantasy, The Most Awkward Love Life of Peabody Magoo, and Ghost Stories.

We ate dinner at Mera Khana in Berlin, NJ, where I finally got my vegetable samosas. (Everything they make is delicious.)

 

 

 

 

 

 

 

 

 

 

Telling the Story

Monday Morning Musings:

“Go out and tell the story.

Let it echo far and wide.

Make them hear you.

Make them hear you.

How that justice was our battle and how justice

Was denied.

Make them hear you.

Make them hear you.”

— from Lynn Ahrens and Stephen Flaherty, “Let Them Hear You,” Ragtime

 

“Our children

See them running down the beach

Children run so fast

Toward the future

From the past”

–from Lynn Ahrens and Stephen Flaherty, “Our Children,” Ragtime

 

 

Dawn comes to tell the story

of the day,

the sun rising, a fact, or perhaps allegory

of what might be,

but at dawn we still have to wait and see

what will unfold over the hours

wait and behold, to see if it’s sweet,

or if it sours.

Will there be light and flowers,

or angry tears of raging showers?

 

We travel over the cool bridge*

Commodore Barry Bridge

 

 

 

 

 

 

 

 

 

 

listening to the voice we’ve named Siobhan,

she guides us to our destination

no hesitation

on her part

though we wonder as she directs

us to wander,

and ponder

at her choices—but she gets us there.

And it’s where we want to be.

 

 

 

 

 

 

 

 

 

It’s a hot day,

but fine if we stay

in the shade

and made

more pleasant

by costumed musicians playing flute

and a stringed instrument—but not a lute–

Pennsylvania Shakespeare Festival

 

 

 

 

 

 

 

 

so, we munch

our lunches, listening, as we crunch

and enjoy this day–

wait for more of what it has to say.

Pennsylvania Shakespeare Festival

 

 

 

 

 

 

 

 

 

It’s a day of protests,

and I am thankful for those who brave the heat

trying to fight and unseat

the evil—so obvious–that is being done

with children in cages, rights that were won

being stripped away–

a new horror every day–

evil has become commonplace,

even while it’s made banal

(build that wall, he still says

this excrescence, the prez)

And we sway in the breezes of change

wanting to blink and look away

but hoping still

it will go our way–

this story of our days.

 

So, we see this play,

 

 

 

 

 

 

 

 

a musical, and I’m amazed

at the way

it’s so timely today–

full of immigrants fleeing

and wanting the American dream

though things are not always the way they seem,

as white women are awakened to life beyond their homes

and people of color

striving for rights and equality,

though there is no apology

for the discrimination, only denial

without fair trial

or justice–

And, ok, I get choked up

when Sarah runs down to meet Coalhouse

even though I knew it was coming

and it’s possible I was crying by the end

of the story—I won’t pretend—

it’s true,

I was moved by the magic of theater,

perhaps you would have been, too.

 

It might seem funny that we see

this musical, not a Shakespearean play

at a festival named for the bard,

Pennsylvania Shakespeare Festival

 

 

 

 

 

 

 

 

 

 

but it’s not hard

to understand

the popularity of musicals.

But he wrote of current events and history

and it’s no mystery

that his plays would have been performed with song–

perhaps the audience hummed along

to some familiar tunes.

Though all the female roles then were played by men,

well, things go around and around again

(Remember when we saw a woman play Hamlet’s role?

Gender no longer is the control.)

 

We ask Siobhan to guide us home

where we feed our cats,

(upset at being left alone)

wait for the sun to set

and the moon to rise,

wait for people to hear the babies’ cries

to set the course of things to where they should be,

where children are free,

not locked away, torn from their parents’ arms

but instead, quite naturally, kept safe from harm.

And by and by

the stars twinkle and sigh,

sing to us a lullaby.

I make a wish by candle light

for wisdom to come—perhaps tonight,

I’ll tell the stories of truth and right

and wait for some to listen,

Can I make them hear me?

I guess I’ll have to wait and see.

 

*Our children–actually their stuffed animal friends–named the Commodore Barry Bridge, “the Cool Bridge.

I’ve listened to the music of the musical Ragtime–and in fact, one summer I listened to it so often in the car that I pretty much had it memorized. But I had never before seen the show. This was a wonderful production with Broadway actors with great voices (and some fortunate DeSales students filling in some of the ensemble roles). It was very well-staged and the costumes were great, too.

Here’s Brian Stokes Mitchell singing, “Let Them Hear You.”

 

 

 

 

 

 

Read the Signs, the Truth in Love

Monday Morning Musings:

“I want to know what’s true,

Dig deep into who

And what

And why

And when

Until now gives way to then.”

–“It All Comes Back,” Fun Home (the musical, music by Jeanine Tesori, Book and lyrics by Lisa Kron, based on the graphic novel by Alison Bechdel)

“How do you measure a year in the life?. . .

How about love? . . . .

Seasons of love”

—Jonathan Larson, “Seasons of Love,” Rent

 “Nearly everything we are taught is false except how to read”

~  Jim Harrison from Songs of Unreason

 

In and out of rain,

we find ways to spend our days

in theaters, or with wine

time passes–

the summery glow

flowing like the rain

that later comes and wanes

then comes once more

driving us indoors–

but in sunshine

and feeling more than fine

we sit and dine

eat the pizza,

sip the wine

Auburn Road Winery, New Jersey

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

wanting to stay

in the moment

in this day

that seems so perfect

in a world weighed

down with suicide

and rules defied

by those should lead

but have no creed–

except desire and greed–

those who raise the false

to say it’s true

and don’t read

except in snippets–

whipping it

up for the masses who follow blindly

where he leads–

despite his misdeeds.

I wish I knew why

or what do

(Read—the facts—what is true.)

But how about love?

 

We celebrate with friends–

retirement from a job,

but not from life,

 

 

 

 

 

 

 

 

 

there will still be stresses

and strife

though lessened

with time to enjoy,

as she’s now unemployed—

hope springs

and with it, a thousand things

that might be. . . if only

we remember what’s true

and love.

how about love?

 

We see a fair

magic on the street

and in the air

divers and floating

 

PIFA Street Fair, Philadelphia

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

and people emoting.

we stay for a while

then walk through the city

parts pretty, some gritty,

to see a play

we’ve seen before

 

 

 

 

 

 

 

 

 

but wonderful story,

wonderful score,

the musical version of a memoir—

of coming out and suicide

of being young and older,

still alive,

the story of a father

and a daughter

the lies he told

They discussed books

but she never noticed the looks

he gave to young men he employed

or to boys–

She later read between the lines

things were not fine. . .

time and memories open a gate

 

 

 

 

 

 

 

 

 

to see what was and what might have been.

Families are complicated

to understand the whats and whens

when we relive in our heads again—

but was there love—

how about love?

 

I watch the Tony Awards,

where the themes of diversity

and inclusion

are not an illusion

though it’s the craft of acting

to make deception real

but we feel

when the students,

witnesses to horror,

of bullets and blood

sing “Seasons of Love”

feel—

all the feelings

true and real.

(We all must feel)

How do we measure

a life and love?

Celebrate with pride

do not divide

into us and them,

stem the growth of hate

and celebrate–

bake all the cakes

for everyone.

Don’t shun

the moments

in the sun

but remember

to fight the danger

of those who do not read

and who would cede

our world

to those who should not lead. . .

but be aware–

stop–look for magic everywhere.

Magic in the Streets Old City Philadelphia

 

 

 

 

 

 

 

 

 

 

I’ve linked this to Jilly’s 28 Days of Unreason, using the poetry of Jim Harrison to inspire.

This is Day 11.

We saw Fun Home at the Arden Theater in Philadelphia and went to the Philadelphia International Festival of the Arts (PIFA) street fair. It’s raining again here in S. Jersey, with a flood advisory in effect.

 

Fair and Foul and Fair

Monday Morning Musings:

“So fair and foul a day I have not seen.”

–William Shakespeare, Macbeth, Act I, Scene 3

“To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.”

–William Shakespeare, Macbeth, Act V, Scene 5

“A library is infinity under a roof.”

—Gail Carson Levine

 

I lust for language–

a thousand symphonies play in my head

like light on water, ripples tripling

the glowing

flowing,

sending words, like spindrift into the sky

never lies,

but truth amplified.

I see the storms of summer spring

and hear the mockingbird sing

in night and day

he stays–

wanting love and standing guard

his tiny body working hard.

I feel

(ever present)

the ghosts around me sighing

and do they fear

from year to year

what was and what will be?

The circling of time

and life beating

(so fleeting),

but renewed again and again.

 

We walk through galleries

and by the river

(life giver)

 

 

 

 

 

 

 

 

 

flowing through a city that has grown

built with wood, and bricks, and stone,

a nation conceived, and ideas flown

(now people find them on their phones).

But still—here they are gathered

scattered on grass

biking, running,

or rowing, sun-glimmered,

forward and back

 

 

 

 

 

 

 

like time

(the Muse says)–

they’re in their prime

now

in this clime

the moment frozen in a thought

or captured in a rhyme

but before long

they will be gone.

 

Museums and libraries

I celebrate–

spread my books out on a table

enabling those who pass to see them better

West Deptford Public Library Book Festival

 

 

 

 

 

 

 

 

 

 

to read the letters and titles

though mine don’t sell

people stop by to wish me well

and support the work I do—

telling the truth

when some others seldom do.

 

We go out later to drink some wine

and dine in the open air

Sharrott Winery, Hammonton, NJ

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

the day turns fair, then foul, then fair

where birds flutter and fly

and children cry

with delight

running in fields in the fading light.

 

We see the Scottish play

 

 

 

 

 

 

 

 

on a cooler day–

then again it moves from foul to fair

threatening skies to a more spring-like air.

But inside this grand library

Free Library of Philadelphia

 

 

 

 

 

 

 

 

 

 

 

 

 

 

something wicked this way comes

though there are only two witches instead of three

(something in this version that bothered me).

Yet the acting is good, and the Macbeths

both powerful and vulnerable

to fate

that they help to make.

As the drum beats. and the swords fly

time in the theater passes by,

and tales from another age verify

the universals truths of humankind

(though this production streamlined),

all the tomorrows,

and the yesterdays,

the sound and the fury,

our vision often blurry

during our brief stay—

and yet we find a way

with stories and art

to share our hearts.

 

Once we had leaders who valued art

and learning,

understood the yearning to know

truth and beauty.

It is our duty

then to spread such ideas,

no matter what he says

and they believe

the false faces and words

that constantly deceive.

Yes, the storm is coming

and let it blow

away the discordant tunes

and the starless nights

for bright humming moons

and radiant light.

 

Sister Cities Fountain

 

 

 

 

Exits and Entrances, NaPoWriMo, Day 23

Monday Morning Musings:

“We do on stage things that are supposed to happen off. Which is a kind of integrity, if you look on every exit as being an entrance somewhere else.”

–Tom Stoppard, Rosencrantz and Guildenstern are Dead

 “Were there words beyond which they could never touch, or did all that is possible enter their consciousness? They could not tell. .

E.M. Forster, A Passage to India

“This train doesn’t stop at City Hall”

(the conductor says)

as the world streams by

the rushing tracks,

clackety, clackety, clackety clack,

the engine hums, it’s zhhhumy zhumms,

my reflection in the window sways

 

 

 

 

 

 

 

 

I am traveling there

but does part of me stay

(a train beat away)

entering here

exiting there?

 

We walk–and

spring is a promise whispered over a wall.

 

 

 

 

 

 

 

 

 

“Please silence your cell phones and other devices.”

(the announcer says)

before the start of the play,

 

 

 

 

 

 

 

 

a somewhat dated farce,

act two and three are clever

better than the first

the play within a play from backstage, reversed

the stage rearranged, the set turned around

so, front is back

a player tumbles and falls,

and we see it all–

again, as the troupe performs months later–

each actor then has two roles,

and the timing and action is right

but as a whole,

well. . . it was OK

we both say

and the tickets were free—

something to see

with excellent seats

in America’s oldest theater,

 

 

 

 

 

 

 

so now it’s later

and we walk and talk

see spring a-springing,

the birds still singing,

eat a giant bowl of fries

(in a very noisy bar room)

 

 

 

 

 

 

 

 

 

then wander back to cats and home,

to see the daffodils still in bloom.

 

 

 

 

 

 

 

The next day–

another play.

(still no stops at City Hall)

“The kitchen is small,”

says one man to another,

“But the apartment looks out at the rocks, and

the water is right there.”

“Maybe Rehoboth would be better,”

The other man murmurs

he has to stay in New Jersey.

We exit, a bit early,

before finding out if they make a plan.

“A little shifty,” that man,

(my husband says)

as we walk out into the day—

where now spring is more than whispering,

and we say, yes, this weather, please stay.

 

We walk through Washington Square Park

I insist some roots look like feet

though they’d find it hard to tap a beat.

 

 

 

 

 

 

 

Trees are blooming in pink and white

Washington Square Park, Philadelphia

 

 

 

 

 

 

 

 

 

 

and people are out to see the sight

of them, feel the gentle heat,

sun on their faces,

filling the outdoor spaces

and even the walls shout of spring

Mural by David Guinn

 

 

 

 

 

 

 

while the birds trill and sing—

(“Phoebe Phoebe, sings the chickadee,

“Peter Peter” the tufted titmouse calls,

and the mockingbird repeats them all.)

Spring fever all around

Penn’s green country town.

Pennsylvania Hospital

 

 

 

 

 

 

 

 

 

Please silence your cells phones—again,

the play is about to begin,

 

 

 

 

 

 

 

 

 

and thought-provoking it is,

the playwright’s words are his,

but “a fantasia inspired” from Forster’s book

though people and countries are never named

other than with letters,

Country X and Country Y, could be any nation

the characters not assigned by the writer to any gender, race,

or sexual orientation,

F, R, H, M, D, Q, J, B

plus, a mosquito and a gecko–

and, of course, there are those echoes. . .

we hear them, reverberating through now, the ages,

all around us–

and on stage, thus–

F speaks of the people in the darkness,

Dr. B is arrested for a crime he did not commit,

and G breaks the fourth wall to talk to us

questioning,

and yes, it’s a bit uncomfortable–

Are we supposed to answer her out loud?

I wonder, and are we different from another crowd?

 

Later, I say,

“I’d like to see that play all over again with another cast.”

How different would it be to see people of a different race,

or gender, play the roles we just saw?

Because, I think, we must draw

pictures in our minds—leap to conclusions—

have preconceptions that we cannot help but make,

and would it break them–

somewhat–

if what we saw was not,

well, exactly the same.

I imagine this part of the writer’s aim.

(I learn there is a hashtag, #ChenMindFuck)

but my mind is rather more struck

than fucked I think,

and we have much to discuss over food and drink.

Can one be friends with one’s oppressor?

The idea leads to variations and degrees of power

not only of gender and race, but

CEO and factory worker, student and professor,

Black Lives Matter and #MeToo,

seeing things from another’s view. . .

The server brings more bread,

I wonder what lies ahead.

At Tria

 

 

 

 

 

 

 

 

 

 

We walk and talk back to the train,

ideas swirling in my brain.

“This train doesn’t stop at City Hall.”

but time flows through spaces and goes to places

unknown,

calls–

Every exit is an entrance somewhere else.

 

 

Today’s NaPoWriMo prompt to use sound. “The poem, for example, could incorporate overheard language. Perhaps it could incorporate a song lyric in some way, or language from something often heard spoken aloud (a prayer, a pledge, the Girl Scout motto). Or you could use a regional or local phrase from your hometown that you don’t hear elsewhere, e.g. “that boy won’t amount to a pinch.”