The Letter

I open the letter, read the words again and again. But they don’t change. They recount the battle and your acts of bravery. They describe the sudden storm, a tempest that battered your ship against the rocks, as you were journeying home to me. I had warned you not to go. I told you of my dream, where the storm clouds gathered and flew like demons, covering the moon, and you appeared beside me, cold and still, dripping, smelling of the sea, smelling of decay. I felt the pain then, clean and sharp in my breast. You laughed at my fears, called me Cassandra. Perhaps I am, for you did not believe me. I look at the ring on my finger and think of this other love-pledge you have given me, feel him flutter-kick in my womb. A son. He’ll be born in the spring. I will tell him about you.

 

ghosts drift in moonlight

clouds obscure the pale glowing

drops like silver tears

Vermeer,_Johannes_-_Woman_reading_a_letter_-_ca._1662-1663

Johannes Vermeer, “Woman in Blue Reading a Letter,” [Public domain], via Wikimedia Commons

This haibun is for Colleen Chesebro’s Weekly poetry challenge. The prompt words were clean and sharp. I’ve also used  this week’s Secret Keeper’s  prompt.  The words: | OPEN| ROCK| RING | ACT | LETTER |

Jane Dougherty used the Vermeer image above for a post this week, also using Secret Keeper’s Words.  I like it so much, that I decided to steal use it, too. The painting is carefully constructed and illuminated, of course, but I also like the literacy of the woman that is portrayed as unexceptional. Also, though it is most likely the fashion, the woman in the painting does look pregnant.

 

 

 

 

 

Freed Minds and Imprisoned Bodies

Monday Morning Musings

“And as imagination bodies forth

The forms of things unknown, the poet’s pen

Turns them to shapes and gives to airy nothing

A local habitation and a name.”

–William Shakespeare, A Midsummer Night’s Dream, Act 5, Scene 1

“The system here is rigid, strict, and hopeless solitary confinement. I believe it, in its effects, to be cruel and wrong. I hold this slow, and daily, tampering with the mysteries of the brain to be immeasurably worse than any torture of the body.”

–Charles Dickens, 1842

A prison taint was on everything there. The imprisoned air, the imprisoned light, the imprisoned damps, the imprisoned men, were all deteriorated by confinement. As the captive men were faded and haggard, so the iron was rusty, the stone was slimy, the wood was rotten, the air was faint, the light was dim. Like a well, like a vault, like a tomb, the prison had no knowledge of the brightness outside, and would have kept its polluted atmosphere intact in one of the spice islands of the Indian ocean.

–Charles Dickens, Little Dorrit

 

In the deep soft blue of night,

a full bright moon murmurs

which path would you stroll

always night

or beautiful dawn?

Would you breath the sweet air of ancient breezes?

 

I ponder mysteries of life and time,

the paths we choose, the where and when

the roads that make us who we are

the journeys that lead to discoveries,

do the words I write,

the forms of things unknown,

take flight across the world,

in a poetry chaos theory

to effect change?

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One of my writer workout shirts.

 

I’m at a book fair,

I don’t sell many books,

my profits come from knowledge gained

or reaffirmed,

books have power,

the reason why slaves are not taught to read,

they release the minds of those bound by ignorance

they free those imprisoned by walls of stone

or by barricades of bigotry,

they build bridges of enlightenment,

people are drawn to them

in excitement, wonder, and surprise

I watch the boy’s eyes

open wide at the thought of reading magical adventures

then disappointment,

“My mom doesn’t have any money.”

“Today is your lucky day, says the author,

“I have something special,

a free book for you–

see, the cover is slightly damaged.”

 

He signs the book for the boy

who takes it,

holds it reverently,

a treasure.

I hope he remembers this moment.

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West Deptford Township Book Festival. Yes, I did bake cookies, too.

 

My husband and I visit the art museum

not for any particular exhibition,

“Sunday at the museum,” someone says,

people there from all over the world

(even though the “Rocky Steps”  are closed)

I hear many languages: French, Chinese, Russian.

We walk through the Impressionists,

see the real and surreal,

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View from the Duchamp Gallery, Philadelphia Museum of Art

 

look at art and people,

adults and children,

viewed and viewers.

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Reading at the Museum—Mary Cassatt, Family Group Reading (c. 1901) Philadelphia Museum of Art

We walk from the museum

 

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across the Parkway to Fairmount

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and on to Eastern State Penitentiary,

 

 

the world’s first penitentiary,

conceived with a purpose–

to induce penitence in its prisoners,

the original building completed in 1836,

though the process began earlier

with efforts to relieve the conditions of the Walnut Street Jail,

in 1787, Dr. Benjamin Rush founded a group to reform prisons,

The Philadelphia Society for Alleviating the Miseries of Public Prisons,

an organization that still exists,

the new penitentiary is thought to be humane,

a wonder of technology and innovation,

a central hub with spokes,

cells with plumbing and heat

designed by architect John Haviland,

but prisoners were cut off from human contact

and sometimes went insane.

Charles Dickens wrote of the torture of solitary confinement

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and later the prison became too crowded for the concept to continue,

a second tier of cells was built

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and prisoners shared cells.

We listen to actor Steve Buscemi

tell us about it in the audio tour,

we’ve been here before,

but it is good to be reminded,

and there are new exhibits we haven’t seen

there are other visitors and tour groups,

but when it is quiet, without other visitors around,

I feel the ghosts around me

there amidst the rubble

 

Prisoners

in dark fevered air

decayed concrete and old secrets,

a dirt home

listen to who was

they live not

but almost open,

in time

 

It is a reminder

of good intentions gone wrong,

yet there are traces of beauty and goodness,

even here,

the tales of good and humane guards

the art created by inmates,

the synagogue

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The original synagogue door. (For my blogger friend, Robin.)

 

but still there are ghosts,

the imprisoned,

some died here,

and I have no answers for those who are imprisoned still

but I hope they have books and art

and that their minds can roam, even if their bodies cannot

do they wonder about the paths of their lives?

Which path would you stroll

always night

or beautiful dawn?

Would you breath the sweet air of ancient breezes?

 

Tonight I dream of wide-eyed boys

of beauty and art

amidst decayed walls

a cat purrs softly in my ear,

I am home, but my mind roams free.

 

The kind author was Ben Anderson, who shared a table with me at the West Deptford Township Book Festival at Riverwinds Community Center. His books are chronicles of Irish fantasy, targeted for middle grade readers, but suitable for “eight to eighty-eight” he says. You can read about them here .

We joke about the Magnetic Poetry Oracle, but she gave me this poem (incorporated above) the morning of the day we went to visit Eastern State Penitentiary. She also came me part of the opening.

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You can find out more about Eastern State Penitentiary here.   Here is an article on programs for prison literacy.   And a list of additional resources here.

The Philadelphia Museum of Art is always worth visiting, even with construction going on.

 

 

 

The Skulls: Microfiction

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Ivan Yakovlevich Bilibin [Public domain], via Wikimedia Commons

 

The princess was awakened in the night by rough hands and gruff voices.  Her attendants were killed, and she was thrust into deep hole, a dungeon known only to few, while her captors decided if she was more valuable to them alive or dead. She was a pawn in dynastic feuds.

She lay there in the dark, too stunned and fearful to think or do anything. A rustling in the fetid space around her, finally got her attention. Somehow she knew the sound came from beings, not only rats–though they probably would come looking for a piece of her to chew on soon.

“Don’t be frightened,” she said. “Someone will help us.

My mother used to tell me stories. Shall I tell you one?”

More than a little frightened herself, she began speaking, telling a tale of magic and light, of music and sunshine, of finding a way home from the darkness. Gradually, figures appeared, glowing spirits. They hovered around her, listening to the tale and illuminating the dungeon with their light. She was now able to see that all around here were piles of bones and skulls, the remains of men, women, and children who had been left here to die alone. The princess told these lost souls story after story, until she, too, was near death.

But the princess did not die. One of her attendants had hidden under the bed and survived the slaughter in the bedchamber. This loyal attendant had run for help, the kidnappers were captured, and the princess was rescued–but she did not forget the lost souls in the dungeon.

Eventually she became queen. Shortly after her coronation, she returned to the dungeon. Ordering her guards to remain at the entrance, she walked down the dark steps alone. She sat there in the dirt and told a story of magic and light, of music and sunshine, and of finding a way home from the darkness. She rose then and told the spirits she would build them a new home.

Before long a section was added to her palace. It was called Hope’s Annex, named for the Queen, who had taken the name Hope. The bones from the dungeon were gathered, sorted, and placed there. The building was filled with light from large windows and glass doors, which were opened to the flower gardens in fine weather. It was furnished with comfortable seats, tables, and bookcases crowded with books. People visited, day and night. They read the books, had concerts, and told stories. And the spirits were happy, at last.

 

This is for Jane Dougherty’s Sunday Strange Microfiction Challenge.

The prompt is the illustration above, which is certainly strange. I have no idea what the original fairy tale was about.

 

 

Between Here and Always

Monday Morning Musings:

The Oracle gave me this poem over the weekend.

 

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Between here and always

is light–

vivid soul-blossoms living wild,

secret garden from dark night,

world was and is

 

In February, this month of birthdays,

time moves backward and forward,

fluid

here and always

what was, what is, and what will be

 

even the weather seems confused,

time and season changing from day to day

light and dark

warm and cold

flowers bloom,

secret gardens amidst leaves

covered as snow falls

 

here

always

 

We celebrate my husband’s birthday with Pakistani food,

the owner remembers him and my son-in-law

they picked up food there on the day my daughter and son-in-law

moved into their house,

yes, they looked tired that day, the man says,

(he is pleased we’ve returned)

the food is delicious,

we eat flaky samosas with yogurt sauce and green chili sauce

then our various entries—slow cooked beef, lamb, chicken,

and vegetarian dishes of eggplant and moong dal with palek,

the chef comes out to meet us,

we tell them we’ll come back

here

 

We have wine and cheesecake afterward at my daughter’s house,

 

 

the house crackles and creaks a bit as the heat of the gas fire warms the room,

ghost sounds,

my daughter-in-law mentions a John McCain poster figure

her father used to hide it around their house to startle people,

I recall the mannequin my sister and a roommate had in their apartment

they used to dress her for different events,

one daughter says she saw a woman on the T carrying the arm of a mannequin–

silence,

there must be a story,

then, other daughter asks, “are you sure it was a mannequin’s arm?”

 

here and always,

food, love, and stories.

 

Later, I pull out tablecloths

they’ve been buried at the bottom of a cedar chest

almost two decades now,

once a special part of our daughters’ birthday parties

years of drawings and comments,

words written by children

now grown

scribbled messages,

ghosts of the past,

each daughter takes a tablecloth

Happy Birthday, I say.

They are always in my heart.

 

 

I make a photo/memory album for my mother-in-law

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I have an assistant.

 

born in 1937,

the middle of the Great Depression,

1937,

Amelia Earhart disappeared, Japan invaded China, the Nanking massacre took place, the Hindenburg exploded,  the Golden Gate Bridge opened,

Walt Disney’s Snow White and the Seven Dwarves premiered, and Of Mice and Men was published–

my husband says, yes but the most important thing is that my mother was born

and of course, to her, to him, and to me, it is

without that,

he would not be here

and our children would not be

perhaps there is another timeline,

perhaps there is another always,

ghosts that flicker

just out of sight

another story

but not here

 

We celebrate her 80th birthday

at our house

 

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a friend of hers stops by,

an eightieth birthday party surprise

(“I won’t stay long,” the friend says,

“I’ve just had a heart attack,”

a story I could not make up)

daughters and I have made enough food

to feed twice as many people,

 

 

enough for more surprise people,

or any strangers who might wander in,

we eat and talk

and memories flow–

what was, what is–

my mother-in-law’s wish–

to see my nephew, her grandson, grow up

What will he be?

(What will be?)

At some point, we will look back

at this moment

in snapshots

time frozen

what is now will be then

this warm sunny day,

filled with light,

here and always

our souls blossom

with love

here

always

 

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Banana Chocolate Chip Cake with Cream Cheese Frosting

 

If you are in the Sicklerville, NJ area, I highly recommend Mera Khana restaurant. It’s a small, unassuming restaurant in a strip mall–but such delicious food and wonderful people.

 

Ghost Dance: A Quadrille

 

He watched them dance out on the beach,

watched them dance, just out of reach,

he stood and gazed, in a trance,

time stood still, or was enhanced,

a ghost flitted near and took his hand,

he joined the dance, for he was damned.

 

thorvald_niss_morgens_am_strand

Thorvald Niss, “In the Morning On the Beach,” [Public domain], via Wikimedia Commons

 

This is for dVerse, Quadrille Monday. This week it’s hosted by Kim from Writing in North Norfolk. The prompt word is ghost.

 

 

Dolls, Ghosts, and Memories

Monday Morning Musings:

 “Remember thee!

Ay, thou poor ghost, whiles memory holds a seat

In this distracted globe.”

–William Shakespeare, Hamlet

 

“but with ribbons

it was spinning Fates conjured,

bewitched by the doll mistress

who knew her dreams.

Whose intention they must spin.”

–Luanne Castle, “For the Doll Mistress”

from Doll God (Aldrich Press, 2015)

 

The play began,

the first floor of a bed and breakfast,

Gettysburg, Pennsylvania, late November,

every surface is covered with knickknacks,

including American Girl doll Samantha,

and it turns out that Jenny, a guest there,

had a Samantha doll,

who she believed was always angry at her,

maybe is still angry at her,

now that she’s packed away in the basement of Jenny’s parents’ home,

(though Jenny cut out pieces of the cardboard box so the doll could see)

And the innkeeper asks Jenny and her boyfriend,

who are facing problems in their relationship,

she asks them each separately,

if they’ve ever felt that they were watched

as though something watched over them.

(I think of how I don’t like people to watch me

when I sleep. How I’ve been awakened by a gaze.)

The bed and breakfast might be haunted,

(this is Gettysburg, after all)

the Jackson room is sometimes “unreliable,”

(perhaps, so are we all)

Mertis, the innkeeper, mentions

the building was a hospital for Union soldiers,

amputated limbs were tossed out of the windows.

Jenny later meets Genevieve, Mertis’s, blind friend,

Genevieve might be crazy,

she thought she was possessed by the spirit of her ex-husband John,

and John, is also the name of Jenny’s former lover,

(we all know someone named John)

who also has a hold on her,

Genevieve hears rustling sounds that no one else hears—

is it us, the audience?

Mertis admits she’s a bit of a mind reader.

Is she also a witch,

a doll mistress, arranging the scenes for Jenny and Elias?

Mertis winds the clock at the end of each scene,

she closes the curtains at the end of each act, and opens them again.

She lights her “angel chimes,” near the end of the play,

flames cause the angel figures to fly,

there is a final sort of “ah-ha” moment,

did Mertis help bring it about?

Did she know their dreams,

the intentions they must spin?

 

There is much to ponder in this play,

filled with as many details as the B&B’s room,

It is long, punctuated with silences,

but it does not seem long to me.

We sit, drinking coffee,

and discuss it.

 

 

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Customs House Coffee is–of course– across the street from the Customs House Building

 

The next day, I look for my daughters’ American Girls dolls,

I see Molly and Felicity high up on a shelf

(one of each daughter’s dolls)

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Molly and Felicity with Frieda

 

but no Samantha or Josefina,

I wonder if they are in the attic

then I  wonder if they are angry.

Should I find them a new home,

foster parents to take them in?

I think of my son-in-law

who was saved by a couple who took him in,

who became his new parents,

moving behind the scenes,

directing them, providing props,

to make certain he was cared for

before he knew his dreams.

Was it fated,

fated he’d meet his love in a play?

 

We talk about dolls at my younger daughter’s house.

(ghosts and memories)

She remembers–

she didn’t want to send her Molly doll off to be repaired

fearing her doll might be replaced,

another Molly,

so she kept her Molly,

and cared gently for her fractured arm,

holding it on with a rubber band,

battlefield medicine.

 

My son-in-law enters the room,

makes an innocent remark,

daughter and I burst into laughter,

laughter that bring tears,

and simultaneously,

sitting across from one another,

we wipe our eyes,

mirror figures,

mother and daughter.

 

My mother tells us,

when she was a little girl,

sick with diphtheria,

(a ghost disease),

she dropped her doll,

“they” took it away,

wouldn’t let her have it in the hospital,

and she cried for her doll,

and she cried for her parents,

who also were not allowed in her sick room,

when she was finally  home,

there was another doll for her,

It wasn’t the same doll,

but. . .she shrugs.

Did your mother make clothes for your dolls?

(She sewed beautifully, I tell my daughter.)

Yes, until my brother was born when I was six.

He was a handful.

He baby brother, now gone,

gone before her.

Ghosts and memories.

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I have not been good about reviewing the books my friends have written. But with a play in which a doll was a key plot point, and a discussion of dolls, I thought of my doll-loving blogger friend. Poet Luanne Castle’s writes about many different topics on her blog— including family, history, travel, and cats.

Her book of poetry, Doll God   is the 2015 winner of the New Mexico-Arizona Book Award. The poems are thoughtful, thought-provoking, lyrical, and sometimes enigmatic. Do check it out!

We saw John by Annie Baker at the Arden Theater in Philadelphia.

 

At Night Ghosts Fly

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Francisco Goya, “The Sleep of Reason Brings Forth Monsters,” Capricho 45, [Public domain], via Wikimedia Commons

Monday Morning Musings:

“Fantasy abandoned by reason produces impossible monsters: united with her (reason), she (fantasy) is the mother of the arts and the origin of their marvels.”

–Francisco Goya, full epigraph on Capricho No. 43

 

At night ghosts fly,

breezes like ice over ocean

can eyes not see this,

our hearts devoured and haunted?

And peace,

a secret perfume

This time,

wake and remember.

–A poem constructed from what I remembered of a magnetic poem before The Oracle ate it.

 

 

An oracle gave me a poem of dreams,

then she swallowed the words

leaving me to wonder about both prophecies

and dreams–

wispy, frangible ghosts,

they vanish,

leaving a trace of perfume in the air.

 

And so, I think of dreams—

there was that one from a few nights ago,

Lin-Manuel Miranda told an interviewer*

that someone had “a curvy name.”

What did that mean,

I thought about it when I woke,

I think he meant the name sounded curvy

somehow,

pleasing and delicious,

on the tongue,

a sort of mouth-feel,

an umami sound.

And I wondered who it was he spoke of?

And I will probably never know.

nor why I dreamt it.

 

That is fine.

At night, our minds try to sort and explain the mysteries of the day,

at dawn, we don’t know what dusk will bring,

though we trust the sun will rise and set,

every day is an adventure,

mysteries delightful or terrible may unfold.

But I would not want to know my future, would you?

And who believes the prophets anyway,

treated like Cassandra

mocked and ignored.

 

But in this new year,

How should we feel?

Peace seems ever elusive,

just beyond an ever-changing horizon.

Reality and truth are meaningless,

Lie-laden Tweets

(the lines neither warm nor curvy)

the thoughts of a man who wants to be a king

or a god,

revered and adored,

But he is a little man,

a bully,

with a handheld bully pulpit,

and so, we must resist,

holding fast against the fetid swamp waters

where the monsters live

and where their dreams thrive and grow,

emerging like demons in the night,

like a vampire, tapping on the window,

do not invite them in

to suck your blood

and still your beating heart.

People like to think the monsters are not real,

but oh, they are,

and they are ready to grab you in the night.

(Quickly, pull the blanket up over your head.)

Yet the evil beasts can be stopped–

because there are heroes,

and there is still good in the world,

and there are still truth-tellers

and truth-seekers,

and we can make a choice,

light or darkness.

 

It was a cold, snowy weekend,

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we ate homemade pizza and binge-watched a Netflix show,

an ordinary day,

frozen and white outside

inside, the warmth of wine,

the scent of bread dough baked at high heat,

we watch,

the young woman, who has died more than once,

she may be an angel,

or maybe not.

And is human life and its mysteries explained?

Perhaps,

Or perhaps not.

But she has chosen to remain on earth

to fight, to rescue the people she loves,

people who have become a family.

And there is light and darkness,

and things seen and not seen,

movements that curve,

like a name maybe,

(she has more than one)

to express words that do not exist.

She needs helpers.

and like her,

we must always look for helpers,

and we must strive to be heroes when we can

to wake from our dreams and remember,

to fight the ghosts and monsters of the night,

to scent the air with the perfume of peace,

 

 

Jane Dougherty named the magnetic poetry site, “the Oracle.”

*I heard Lin-Manuel Miranda interviewed on Fresh Air. I don’t think he mentioned any curvy names, but let me know if he did.

We watched OA on Netflix, a series starring Brit Marling. She is also the co-creator with Zal Batmangli. Here is the trailer.

 

 

 

The Past, the Future, Ghosts, and Drag in the City of Brotherly Love

Monday Morning Musings:

“The past is a foreign country: they do things differently there.”

–L.P. Hartley

“This play is so American. . .[it] shows us that transformation can only happen when we break apart our fears, our suspicions and our judgments. Because the America I know is not the one that is portrayed by only a few, isn’t the one that discriminates against its citizens for their differences. NO. The America I know and cherish and honor is one that all these characters are creating.”

— Emmanuelle Delpech, From her Director’s Notes, The Legend of Georgia McBride, Arden Theatre, Philadelphia

 

When was the last time the four of us had spent a day together at a museum?

We all wondered, but couldn’t remember,

somewhere amidst childhood’s ghosts

left behind with dolls and story books,

ghosts of Halloweens past

when little girls dressed in costumes

that they slept in,

a princess and a clown

(not a creepy one at all).

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And so we went,

a family outing,

our girls married women now,

but still crazy sisters, having fun,

interpreting the works of art

 

 

And since the big new exhibit is on Mexican revolutionary art

and it’s close to Halloween

there are Day of the Dead displays

 

We eat Wawa hoagies*

(My daughter misses them in Boston.)

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I score Super Momma points

by making hot fudge sauce,

totally spur of the moment

(in record time)

so we can have it with our coffee ice cream

as we watch Grey’s Anatomy

It’s another ghost from the past.

 

It is Halloween weekend,

my husband and I go to the theater

(which, I guess fits, when you think about it)

In the play,

a man discovers his inner femininity—

becoming a drag queen,

with the help of a real drag queen.

After a slow start,

the play picks up

struts its stuff,

so to speak,

along with the actors,

a feel good show

about finding your passion

and not giving up,

accepting those who are different from you.

A good lesson, don’t you think?

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After the show, we drink coffee

sitting on a bench outside of Christ Church in Philadelphia.

 

a beautiful October day,

we watch the people in the present

learning about the people of the past,

as they walk in and about the beautiful eighteenth-century church

where George Washington, Benjamin Franklin and others attended services.

We walk the streets, some still cobbled,

where founding fathers, mothers, sisters, and brothers

once walked,

where free and bound lived and worked.

 

None of them was perfect,

neither are we.

But the past is a foreign country.

people then did not know all we know now

(perhaps we have lost some of their knowledge, too)

Progress and human rights come slowly

as babies crawl tentatively before they walk and then run eagerly

to explore the world.

So are there stages

of nations

that rise and fall.

And of discoveries that humans uncover and embrace with hesitation

or delight.

Thirteen colonies came together,

representatives walked the streets we now walk,

worked together to fight for independence,

and later, to form a more perfect union,

evolving over centuries

with greatness from the start,

along with evils,

slavery, racism, sexism, xenophobia.

We should not move backwards

to the foreign country of the past,

not regress, but rather progress,

build upon the great to make greater.

 

We travel to another part of Philadelphia,

Fairmount Park,

one of the largest urban parks in the world.

We are there for a Lupus Run/Walk

my younger daughter and her husband run,

my husband and I walk,

some people drag their heels,

some are in drag,

well, costumes.

There is a team of Star Wars characters,

others in purple tutus,

a sea of purple t-shirts.

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We begin at Memorial Hall

(now the Please Touch Children’s Museum)

with its figure of Columbia at the top,

it was an art museum,

constructed for the Centennial Exhibition in 1876,

a huge exhibition with many buildings

and many visitors.

A Women’s Pavilion gave women a chance to display and demonstrate

the new opportunities available to them in professions and business

there were displays of dress reforms, too.

But women were segregated in their own pavilion,

and still denied the vote.

And so we run/walk through

beautiful Fairmount Park

passing statues of Civil War generals

and the Japanese Tea house

I imagine women in suffragist white,

ghosts flitting among the statues

I think they would echo

“When they go low, we go high,”

standing calm amidst storms of hate.

Women have always had to fend off and fight

the gropers and grabbers,

and some of them loved other women

though not out in the open.

I amuse myself by imaging Susan B. Anthony

reading grievances while drag queens in the audience cheer.

(This did not happen.)

 

But the past is a foreign country

we can’t impose our views on it.

Our own pasts, well, perhaps they change

with, in, our memories

which are imperfect.

merging and shifting,

taking on new tones and meanings.

On this Halloween

my memories of Halloween past

merge with the present.

I think about the future,

We are at the crossroads,

there are ghosts all around.

We must push back the hate and fear.

We dream.

A wise man once had a dream

of freedom for all

freedom for those of every color, of any religion.

He was killed by hate.

But still we dream.

I think about the future

with dread

with longing

with hope

with dreams.

 

*Hoagie is the Philadelphia name for a sandwich served on a long, tapered roll. Wawa is a convenience store chain that is much beloved in parts of Pennsylvania and southern New Jersey.

Philadelphia Museum of Art

We saw The Legend of Georgia McBride by Matthew Lopez at the Arden Theatre.

Christ Church, Philadelphia

The Please Touch Museum/Memorial Hall

On suffragists on Independence Day 1876, see this.

Martin Luther King, Jr., I Have a Dream speech.

 

The Lake: Microfiction

andreassen_olav_johan_stormnatten_olje_pa%cc%8a_lerret

Olav Johan Andreassen, via Wikimedia Commons

 

 

Stefan Danielsen prided himself on his investigative skills and objectivity, and those skills had won him acclaim as a journalist. So here he was, huddled behind a rock– because he had been intrigued by the rumors he’d heard about this remote Norwegian lake. Now he wondered why he was wasting his time. Of course, there was nothing here.

God, it was cold. Winter came early this far north. He wondered if he could risk lighting a cigarette.

An icy touch on the back of his neck. Get a grip, Danielsen, he thought to himself. It’s the wind.

He thought he heard music, a tune in a minor key. It seemed both familiar and unknown. Don’t be ridiculous, he told himself. It’s just the wind.

Wait till I tell Ove about this. He imagined how Ove, his little brother, would tease him for being frightened by shadows and wind.

It was close to midnight. He rubbed his eyes, blinked, as silhouetted figures appeared on the shore; men and women dancing slowly to that minor tune. Yes, the same music he thought he had heard earlier.

Who were they? He fumbled for his camera, as the tempo of the music increased, and the dancers twirled faster and faster. They called to him, their siren voices somehow inside his head, drawing him in.

Spellbound, powerless, his body floated toward the circle. The Cimmerian figures held him, crooning, as they gyrated for seconds, minutes, hours. Time no longer had any meaning. His body was an empty shell. It would be found on the beach in the morning. His spirit, however, it would dance on that shore every night, in a circle, forever.

 

This story is for Jane Dougherty’s Writing Challenge.  The prompt was the painting above.