The Language of a Thousand Loves

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Above, Moon sings

of honeyed times

 

her music rose-gowned

in sweet summer winds

 

sifting shadows

over the sea.

 

And we watch—

asking why of water-pounded rocks

 

as the sun

drives mist away–

 

there still sleeping –

 

the language of

a thousand loves with you.

 

I’m not quite sure I understand what the Oracle is saying, but I like the poem she gave me.

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Our Whys

Sunrise, National Park, NJ

 

as rain pounds

the wind moans

 

a language of screams

and shadowed sky,

 

but beneath the blue-black beat

there is a moon singing

 

a dream chant of love—

 

and in time the sun will shine sweetly,

honey-tongued,

 

urging us to life

together through our whys

 

Yesterday, the sunrise was glorious. Today I woke to moaning wind and rain striking the windows. But the Oracle is wise and all-knowing.

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Circles, Cycles, and Loops: Monday Morning Musings

Monday Morning Musings:

In the movie

the men go back

to where they were boys

 

in a cult, a camp

where birds fly strangely

as they tramp

 

through the woods

and things are the same,

or perhaps they’re not,

 

fraught with pain

answers to questions

gained, or unknowable–

 

lives lived in loops,

moving in phases like

the moon—

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Morning Moon

or moons–

one, two, three–

watch and see.

 

Circles and cycles

nature, each life,

day following night

 

light of summer

dimming in fall

all the seasons

 

and the years

painted over,

scraped away

 

traces left, secrets

uncovered in time,

pentimento of Earth.

 

Once giant creatures

roamed here

a shallow sea

Delaware River from Red Bank Battlefield

leaving traces in the sand

a mosasaur

and ancient clams,

 

but now the geese fly

from humming moon

to dawn’s fog-scumbled river

the little deer grows older,

has children of her own

the cycle continues–

 

and we cycle through the city

once a place of forests and rivers

where indigenous people hunted,

 

fished, and gathered,

following the seasons

migrating with the wildlife

 

until newcomers came

with diseases, death to old

and a new nation created

 

And now—

another cycle,

we wait to see if all

 

will fall,

calendars and lies

those willing to abide

 

with corruption

and destruction of truth

when all could gain.

 

And so, we pedal

endlessly in a loop

looking for a break

 

finding joy

with loved ones

food and drink

hoping we haven’t

reached the brink

 

But that we can circle

back,

begin again–

 

this time

better.

 

As summer blossoms fade

and autumn’s golden leaves fall,

we’ll soon brace for winter’s chill

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Part of the scarecrow display outside of the West Deptford Public Library

and wait

for the promise of spring

awakening again.

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Dock Creek with Carpenter’s Hall in the background.

 

We watch the movie The Endless on Netflix. Trailer here.  It’s a quirky, indie film. We liked it–lots to talk about afterwards.

And we went on a Big Red Pedal Tour in Philadelphia.

 

 

 

 

 

 

 

 

 

 

If a Deer Runs in a Forest

It’s just past sunrise when I see him. I wonder why he’s there alone, the little deer. I wonder if he’s one of the twins, I saw lying in the grass a day or two before. His light brown coat blends into the woods so well that I almost missed him. We both stopped walking. His ears twitch, and I see him sniffing the air. I take one step, and he takes one step. Finally—though I want to stay– I walk on, as quietly as I can. I feel like I’m disturbing his peace, though the sight of him has made my day. Later, when I see a group of deer resting together, I wonder if he’s there amongst them, with his family and friends. I wonder if they missed him when he was off on his own, and if they are all happy to be together again.

 

fawn loses his spots,

russet leaves fall to the ground–

time passes unheard

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This is for dVerse’s Haibun Monday, where qbit/Randall is the guest pub tender. He asks us to write about one member or element of a group. So, I guess that little deer made a big impression on me. I’m also linking to Colleen’s Tanka Tuesday, where it’s open prompt words or “poet’s choice.”

Breath of Dawn

Silence—as the curtain falls

weighted with emotion just before applause.

Silence—just before the thunder booms,

as though the sky must first absorb the sound

before it’s released. . .breathe in, breathe out. . .

Silence—seconds before the sun awakens,

the cat stretches and yawns,

you turn over as twitters and chirps begin to fill the air,

where traces of dreams still linger—whispered sighs—

they float away, up into the rose-swept sky.

 

 

 

 

 

 

 

 

Another Silence poem for Dwight’s Sounds of Silence dVerse prompt, and it’s punctuation -filled for Björn’s dVerse prompt. 

Silence Comes on Morning Fog

Silence comes on morning fog

shrouding life in grey and white

drifting in, an epilogue

to what has come before, at night,

the starry skies and canorous moon

hidden behind the shadowy clouds–

but listen–silence sings a tune

sometimes soft, sometimes loud,

in the susurration of wind and rain,

in the scurrying from dusk till dawn,

in hearts that beat again and again

there’s never silence till we’re gone.

Caspar David Friedrich, “Sea Beach in the Fog, [Public domain], via Wikimedia Commons

 

 

 

 

 

 

 

Dwight, guesting hosting the dVerse poet’s bar, has asked us to write about silence.

 

 

That House on Oxford: Haibun

Not a ghost, but the emanation of some past emotion. That’s what I feel in that house in Havertown—the one my mother rented after my parents divorced. Have you noticed that some houses have their own emotional atmosphere? Well, that’s my theory, and if you’ve never felt a house reeking of love, terror, or despair, then it must sound weird to you. But this whole house makes me feel welcomed; my bedroom in particular—it’s as if someone has felt joy there in the past, and the feeling now lingers. . .forever. This room, painted a golden yellow, seems to glow all the time. Every molecule in its walls, floors—even the air—releases joy and serenity—at least for me. Here I also experience first love. I wonder if my feelings will join the room’s aura, biding there for future inhabitants.

thrush sings amid buds,

trees flower, and then leaves fall—

echoes hang in air

Dock Street Creek once flowed here.

 

 

This Haibun is for dVerse, where Lillian has asked us to write a traditional Haibun—that is, a tight paragraph or two, which is a true account, not fiction, followed by a traditional haiku. The haiku should be nature-based but allude to the prose. It should have a seasonal word, and “a haiku must have two parts including a shift, an added insight. Japanese poets include a KIREJI (cutting word). BUT there’s no linguistic equivalent in the English language therefore punctuation creates the cut: a dash, comma, an ellipsis, an exclamation point. Sometimes it’s simply felt in the pacing or reading.”

Lillian has asked us to write about one of the first houses we lived in. This was not the first, but it was the first one we lived in after we moved from Dallas to Havertown, PA, when I was in 7th Grade.

 

This is also for Colleen’s Tuesday Tanka, using synonyms for the words beliefs and strange. I’ve used theory and weird in my prose. Colleen notes that a Haibun should be written as though it is happening now.

 

 

 

 

 

 

Secret Joys: NaPoWriMo, Day 1

The beauty of the daffodil

after winter’s snow,

the sound of robin’s morning trill

at dawn’s rosy glow–

effable delights, I hold tight

to fight vague evils of the night,

secrets for my heart–

from this truth comes art.

 

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This is day 1 of NaPoWriMo. The Prompt: “Today, we challenge you to write a poem that is based on a secret shame, or a secret pleasure.”

 

 

 

 

 

 

 

Hope: Quadrille

Is it hopeless to feel hope

in the light of dawn,

or when the moon hums

her gentle song?

In the ash-filled skies

do hopeful spirits fly,

or earth-bound are they buried

in sorrow unvariegated?

Tomorrow will hope soar–

that thing with feathers, evermore?

 

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This quadrille is for dVerse. The prompt was any form of the word, “hope.”