Old Masters and Time

Monday Morning Musings:

“To wrestle with the angel—Art.

–Herman Melville, “Art”

 

“So come the storms of winter and then

The birds in spring again

I have no fear of time

For who knows how my love grows?

And who know where the time goes?”

Sandy Denny, from “Who Knows Where the Time Goes”

 

I wonder how I’d explain a museum to someone from another world

the whys of collecting, the how, and the who

and what they thought they knew

about this technique or about this blue

(see, the artist mixed it here with red instead)

how tastes and trends change over time.

The Old Masters painted their world as they saw it

mastering techniques, adding some wit,

(perhaps even a bit of spit)

brushstrokes broad or fine, celebrating less the ordinary,

and more the sublime

wondering about fate and time

and posing a patron though it’d cost him dear

as wise and good, a god among men

(though insincere)

with bright façade and a gilded veneer.

 

Curating and restoration reveal meanings

what the artist really meant or thought

(perhaps different from when the painting was bought)

Here we see a painting thought to be about frivolity

but skilled work shows it true intention–

a work about consequences and mortality

and the artist herself overlooked

when past her time

the same old story again and again–

her paintings are attributed to well-known men.

 

We wander through the museum’s Great Hall

Diana is illuminated for the season, and all

the world,

(at least this part)

seems festive,

see here, she’s positively glowing

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and the Calder mobile across from her is blowing,

or perhaps I imagine it so,

as Diana breathes a winter sigh

and sends the mobile flying high.

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We leave the museum,

walk down the steps, now immortalized by a fictional boxer

though I prefer to simply admire them as they are

(a part of the whole, and not the star)

walk down the Parkway, heading toward the river

the air is fine for winter, Mother Nature delivers

a perfect day to walk and talk

on so, on to the Rodin Museum

we stand before the Gates of Hell

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and the Burghers of Calais, and a shade

was he afraid

of ghosts and spirits,

the sculptor wrestling with demons, wrestling with art

depicting emotion with single body parts.

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Rodin, “The Cathedral”

 

We walk on, the day still warm

the storms of winter, not yet come,

pass buildings and monuments-

people, places, and events—

and books and art, the contents

of our history and culture

still standing, still valued, sometimes revered

though the purveyors of ignorance and hate, have feared

the spread of truth and beauty,

and are more willing to incarcerate

than educate–

roads well-travelled through time and space

yet still I hope we can erase

the fear and hate

to wrestle with the angel art

because our time is brief

and who know where it goes?

We close our eyes,

and on it flows

carrying the monuments and the art

like Oyzymandias, nothing will remain

but while we can,

we carry it in our minds and heart

in the sound of the birds and laughter,

and museum art–

we take these moments

to watch the people and drink some wine

to glory in this, yes, unexpected sunshine.

As past, present, and future conflate

for a moment, here in this urban landscape,

this Christmas fete

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from behind us the music, and skaters skate

round and round and figures eight

and I remember and contemplate

a memory of my sister and me

from a hotel window high above, we

watch skaters there from long ago–

I wonder, where did they go?

 

Later that night, I watch the moon, bright and full

and hear the geese honk to friends and mates

it’s time to go

I wonder, do they ponder about their fates

or simply accept what is, not what might be

do they see how time flows and goes?

And as for me, I circle round through time, through art,

through dreams and memories held closely in my heart

I’ll wait for the storms of winter

and for the birds in spring again

I’ll wonder where time goes

why it’s sometimes fast, but sometimes slows

but know only that on it flows

and like light and hope, drifts through the cracks,

and somehow, circles back.

 

 

 

 

 

 

 

Anniversary in the City

Monday Morning Musings

“A day spent with you is my favourite day. So today is my new favourite day.”

Winnie the Pooh

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Part I

It was not a day of romance and roses—

And we missed the parade of

Tall ships

With Mama Duck–

Who sprang a leak.

I later discovered.

But we saw great art,

And we talked and walked.

And glimpsed a different view

Of the city.

First,

In the morning

“Discovering the Impressionists”

At the Museum of Art.

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So strange that Degas’s little dancer

And the rest

Were considered shocking.

Collected by Paul Durand-Ruel

A conservative Catholic father of five—

Who embraced the art of those who became known as

The Impressionists.

The critics scorned and ridiculed their work.

I guess he had the last laugh.

A visionary in a time of rapid change,

Inventions like steam engines and railroads–

Changes occurring as quickly and regularly

As Monet’s Poplars changed their color and shape,

Through the seasons.

Transnational and transatlantic collaborations

French artists meeting in London,

American artist Mary Cassatt–

A conduit between the European art world

And the newly rich American millionaires

Who wanted fine art to grace the

Walls of their

New mansions.

Industry and art,

Dancing together like

Renoir’s couples,

Twirling and swaying,

The city couple and the country couple

Both enjoying that moment in time.

And we enjoyed the sight

Of them,

Arms entwined

We see their smiles

And hear the rhythm of the music

As they glide.

Over one hundred years later.

They still live.

Part 2

Up to the medieval galleries.

We looked at the swords

And the mounted knight

In the center of the room

On his armored horse.

Leonard the guard

Spoke to us

With great enthusiasm—

if not total historical accuracy–

Throwing himself to the ground

To demonstrate a knight

Thrown off his horse.

And then following us

To the next room.

To provide a

Somewhat fanciful account

Of how knights cooked their food.

But again,

With great eagerness.

There’s a man who loves his job.

Part 3

We walked to Fairmount

Near the Penitentiary

That looms over the area

A testament to an earlier time

And the zeal to reform

Sometimes harshly.

“Let them think about their crimes,”

The reformers said.

And built the Penitentiary

With single cells

And no talking allowed.

The ghosts linger there,

But not for us today.

Instead

We ate sandwiches

At Ry Bread.

We sat outside in the small back patio.

Opposite each other at the little table,

Opposite tastes, too.

His New York, a corned beef Panini,

Me with the Hollywood,

Whole wheat bread with hummus and vegetables,

I added avocado and cheese,

Because seriously,

Why wouldn’t you?

Then a stroll to the Rodin Museum—

We think with the thinker,

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We empathize with Eve,

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We’re giddy with Eternal Spring,

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And move with The Three Shades.

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Then another walk to the Mutter Museum—

A bit farther than we thought,

But well worth it because

Nothing says happy anniversary

Like seeing a giant colon, right?

And who doesn’t want to be disturbingly informed?

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Part 4

Dinner at Tria,

The rain mostly holding off

Till the end of our meal.

My husband moves his chair closer

To get under the umbrella

But we stay dry,

Well, almost,

Although the menu on its clipboard

Is soaked.

The sky is violet gray

And the air misty

Like an Impressionist painting,

The city swirls about us—

The Impressionists saw

Railroads,

But didn’t have to worry

About cars driving

past sidewalk cafes,

Horns honking,

People walking,

Life going past.

Sometimes too quickly.

But the wine was good,

And the cheese even better.

Part 5

We went to a show next.

It was not Shakespeare,

Or Stoppard.

It was ridiculous fun.

Sometimes just what you need.

Murder for Two

Two actors

Thirteen roles,

And the piano,

That both play—

Sometimes together.

Ballet moves

And silly step dancing,

The actors make it look

So effortless.

They seem to enjoy their work

As much as Leonard does his,

But they’re actors,

So who knows?

And then we go home

To feed the cats

“Where were you

At dinnertime?”

They say.

And we sleep

After our long day of walking.

Impressions of the city

Impressions of Impressionists,

Of life,

Of love,

Fill my dreams.

But thankfully

There are no giant colons

Or surgical instruments

To mar my slumber.

The next day we find that

All across America

It is no longer straight marriage or gay marriage

It is simply marriage,

And other couples will now get to celebrate 37 years together

As we have.

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Here are links to the places we visited:

Philadelphia Museum of Art

Rodin Museum

Mutter Museum

Philadelphia Theatre Company

RyBread Café

Tria Café

We didn’t go to Eastern State Penitentiary, but we’ve been there a few times. It’s a very cool place to visit.

Tall Ships